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elostirion74
Nargothrond
Mar 8 2008, 3:41pm
Post #1 of 22
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Lothlórien, part VIII, "Impressions of Cerin Amroth"
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Now, we've come to it at last, the heart of Elvendom on Earth. Please feel free to bring up any subject you would like. His eyes uncovered, Frodo is looking at the mound of Cerin Amroth, the heart of the realm of Lórien as it was long ago. The mound is surrounded by two circles of trees, one of which consist of mellyrn, in the centre there’s a white flet and the grass is covered with flowers (elanor & niphredil) shaped like stars.. “golden, white & palest green glimmering like a mist amid the rich hue of the grass” This is the impression it makes on Frodo: ”It seemed like he was looking through a high window onto a vanished world. A light was upon it for which his language had no name... all that he saw was shapely...He saw no colour but those he knew, gold and white and blue and green, but they were fresh and poignant, as if he had at that moment first perceived them and made for them names new and wonderful... Frodo felt that he was in a timeless land that did not fade or change... when he had gone and passed out again into the outer world, still Frodo the wandered from the Shire would walk there upon the grass among elanor and niphredil in fair Lothlórien” A. What do you think Tolkien/Frodo is trying to convey here? B. Tolkien is at once specific and quite vague, or what do you think? What do you believe a literary modernist would have thought of this description? C. We have been walking for a long while, but apparently Frodo has done little of the talking. Still many things are seen from Frodo’s point of view. What kind of impression do you get of Frodo as a person and storyteller from this chapter? What kinds of things does he notice or focus on? Would you have liked to hear more from other characters? Sam has another point of view: “I thought that Elves were all for moon and stars: but this is more elvish than anything I ever heard tell of. I feel as if I was inside a song, if you take my meaning”. D. Why does Sam say that this is more elvish than anything he has heard tell of? What do you think of Sam’s remark? E. Sam has since the start of the quest met Elves in the Shire, in Rivendell & now in Lórien. What do you believe Sam’s experience of walking through the Naith of Lórien contribute to his understanding of the elvish (provided that you consider we have enough information to say anything about it)? F. I urge those who have particular illustrations of scenes connected to Cerin Amroth or to Lórien in general that they would like to comment on, to bring these up in their post. I confess that I am madly in love with Tolkien’s description of flowers, although I, unlike Tolkien, do not take any special interest in the kinship and taxonomy of plants. In a letter to Amy Ronald, 1969, (Letters of J.R.R.T nr. 312) he tells her he has enjoyed The Cape Flower Book. I quote from the letter for those interested: “I have not seen anything that immediately recalls niphredil or elanor or alfirin, but that is because those imagined flowers are lit by a light that would not be seen ever in a growing plant and cannot be captured by paint. Lit by that light, niphredil would be simply a delicate kind of snowdrop and elanor a pimpernel (perhaps a little enlarged), growing sun-golden flowers and star-silver ones on the same plant” G. Tolkien may not have seen anything that recalls his image of the flowers of Lórien, but perhaps you have? Articles or just your own thoughts about flowers and plants in Lórien would also be interesting.
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Dreamdeer
Doriath

Mar 8 2008, 4:12pm
Post #2 of 22
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Now, we've come to it at last, the heart of Elvendom on Earth. Please feel free to bring up any subject you would like. His eyes uncovered, Frodo is looking at the mound of Cerin Amroth, the heart of the realm of Lórien as it was long ago. The mound is surrounded by two circles of trees, one of which consist of mellyrn, in the centre there’s a white flet and the grass is covered with flowers (elanor & niphredil) shaped like stars.. “golden, white & palest green glimmering like a mist amid the rich hue of the grass” This is the impression it makes on Frodo: ”It seemed like he was looking through a high window onto a vanished world. A light was upon it for which his language had no name... all that he saw was shapely...He saw no colour but those he knew, gold and white and blue and green, but they were fresh and poignant, as if he had at that moment first perceived them and made for them names new and wonderful... Frodo felt that he was in a timeless land that did not fade or change... when he had gone and passed out again into the outer world, still Frodo the wandered from the Shire would walk there upon the grass among elanor and niphredil in fair Lothlórien” A. What do you think Tolkien/Frodo is trying to convey here? The magic infusing Lothlorien by the power of Galadriel's ring. Galadriel's fondest desire was to recreate her childhood home of Valinor, in defiance of the powers which pronounced her exiled. B. Tolkien is at once specific and quite vague, or what do you think? What do you believe a literary modernist would have thought of this description? Literary modernists did not think much of Tolkien generally, and they are entitled to their opinions somewhere else. As for my own perceptions, the first time I read about Lorien I felt absolutely overwhelmed by beauty. The second time surprised me with a let-down, when the description seemed more spare than I remembered. Then I realized that at least half of the beauty of Lorien comes of it following so closely on the horrors of Moria--it gives us the perfect respite that we need. Later readings renewed to me the beauty of that land, as I realized that Tolkien intended his vagueness as a vessel for our own imaginations, to fill in whatever we most need to cleanse Moria from our minds. Again, Lorien is like water--an uninspiring drink to those who do not need it, but to those who thirst it affords an exquisite joy beyond compare. Frodo rightly notes that Lorien displays the same colors as any other land--it is the light which infuses them here that distinguish them. Tolkien encourages us to share in the magic by the thirst in our souls, allowing us to see that extra dimension of the common colors. That way, when we put the book down, and look about us with enchanted eyes, we can see the colors of Lorien in our own existence. C. We have been walking for a long while, but apparently Frodo has done little of the talking. Still many things are seen from Frodo’s point of view. What kind of impression do you get of Frodo as a person and storyteller from this chapter? What kinds of things does he notice or focus on? Would you have liked to hear more from other characters? I appreciate Frodo's sensitivity. I do believe that different people would perceive different things in Lorien. He opens himself up to understanding the Elvish viewpoint better than most, I think. Sam has another point of view: “I thought that Elves were all for moon and stars: but this is more elvish than anything I ever heard tell of. I feel as if I was inside a song, if you take my meaning”. D. Why does Sam say that this is more elvish than anything he has heard tell of? What do you think of Sam’s remark? I think Sam also opens himself up to understand more than the average hobbit or even man might have grasped. He quickly sheds his preconceptions to let in the real experience. As a result, Lorien feels more elvish to him than anything he has experienced before. Also, he appreciates the reality more than the tales that hinted at it. I do like his simile, which actually is literal--he really is inside a song! E. Sam has since the start of the quest met Elves in the Shire, in Rivendell & now in Lórien. What do you believe Sam’s experience of walking through the Naith of Lórien contribute to his understanding of the elvish (provided that you consider we have enough information to say anything about it)? Rivendell actually has a cosmopolitan culture, intentionally, founded as it was by a human/elf hybrid who viewed himself as born to bring disparate peoples together. Yes, Sam has met elves passing through the Shire as foreigners, and met more settled elves in a multicultural environment, but never before has he experienced pure elvishness in a wholly elvish nation, where he is the stranger. He can witness their culture in its original form. F. I urge those who have particular illustrations of scenes connected to Cerin Amroth or to Lórien in general that they would like to comment on, to bring these up in their post. I did feel that the movie version of Lorien was on target. Peter Jackson did the right thing in recruiting the two most experienced and well-known artists to ever specialize in painting Middle-Earth, rather than some Hollywood-experienced artistic director or backdrop-painter who hastily skimmed the script on the way to production. I confess that I am madly in love with Tolkien’s description of flowers, although I, unlike Tolkien, do not take any special interest in the kinship and taxonomy of plants. In a letter to Amy Ronald, 1969, (Letters of J.R.R.T nr. 312) he tells her he has enjoyed The Cape Flower Book. I quote from the letter for those interested: “I have not seen anything that immediately recalls niphredil or elanor or alfirin, but that is because those imagined flowers are lit by a light that would not be seen ever in a growing plant and cannot be captured by paint. Lit by that light, niphredil would be simply a delicate kind of snowdrop and elanor a pimpernel (perhaps a little enlarged), growing sun-golden flowers and star-silver ones on the same plant” G. Tolkien may not have seen anything that recalls his image of the flowers of Lórien, but perhaps you have? Articles or just your own thoughts about flowers and plants in Lórien would also be interesting. I expect that they would be the flowers we see about us already--only in Lorien we really see them. My website http://www.dreamdeer.grailmedia.com offers fanfic, and message-boards regarding intentional community or faerie exploration.
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Darkstone
Elvenhome

Mar 8 2008, 8:17pm
Post #3 of 22
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The Silver Apples of the Moon.
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Frodo felt that he was in a timeless land that did not fade or change... when he had gone and passed out again into the outer world, still Frodo the wanderer from the Shire would walk there upon the grass among elanor and niphredil in fair Lothlórien” A. What do you think Tolkien/Frodo is trying to convey here? This is the nature of Faerie. Faerie is timeless. A fellow can enter Faerie and leave a moment later, only to find a century has passed and all he loved is gone. Or else no time at all. (“Well, maybe just one moment. Or forever. I keep getting them mixed up.”-Xanadu (1980) ) And he spends years searching for it again, and as an old man he finds it, and so embraces his still young Faerie bride once again. (-WB Yeats "Song of Wandering Angus") By entering Frodo has become part of it. And though he leaves yet a part of him is always there. And a part of it is always with him. That’s what saves him. (That’s the meaning of the Frodo/Galadriel scene in the film. Yes, he’s weak and spent in Cirith Ungol. But a part of him is still strong in Lothlorien, and Lothlorien is still strong in him.) And if you think about it, that’s the reason he has to leave Middle-earth. After the One Ring is destroyed Lorien begins to fade. So like the Elves, he has to go to Valinor, or he too will fade with it and become a wretched spirit. B. Tolkien is at once specific and quite vague, or what do you think? Yes. What do you believe a literary modernist would have thought of this description? They’d be jealous of the metanarrative. Really, Tolkien totally confounds the modernist. Instead of “A poem should not mean / But be" (Archibald MacLeish, “Ars Poetica“) Tolkien turns it on its head. “The story teller makes a Secondary World that your mind can enter. Inside it, what he relates is ‘true‘, it accords with the laws of that world. You therefore believe it, while you are, as it were, inside.” (Tolkien, “On Fairy Stories“) That is, “Though the poem does not exist in reality, it has been given being by the poet.” (Darkstone, “Just Made Up“) Literary modernists would be outraged. C. We have been walking for a long while, but apparently Frodo has done little of the talking. Still many things are seen from Frodo’s point of view. What kind of impression do you get of Frodo as a person and storyteller from this chapter? Assuming the conceit that this is being written by Frodo, he is quite the poet. What kinds of things does he notice or focus on? Perceptions of Reality versus Faerie. For example: “He lifted his eyes across the river and all the light went out, and he was back again in the world he knew. Beyond the river the land appeared flat and empty, formless and vague, until far away it rose again like a wall, dark and drear. The sun that lay on Lothlórien had no power to enlighten the shadow of that distant height. `There lies the fastness of Southern Mirkwood,' said Haldir.” In Gandalf’s eyes what made Bilbo an adventurer was that “Tookishness”, that Feyness he received from the Fairy Wife of a Took ancestor. In Lothlorien, that Feyness is finally at home. Indeed, one might say that is what Frodo mourns when he returns to the Shire. He misses Faerie, he misses his true home. Also, some feel Frodo’s perceptions are changing because of the ring. But I think that’s only half the story. As Feaerie is awakened in Frodo, so his perceptions become Fey. And this results in a tug of war of perceptions between the ring and Faerie, and so….. Er, what was the question again? Would you have liked to hear more from other characters? I would have loved to have heard how the friendship of Legolas and Gimli develops. Sam has another point of view: “I thought that Elves were all for moon and stars: but this is more elvish than anything I ever heard tell of. I feel as if I was inside a song, if you take my meaning”. Shamanistic music indeed takes one inside the song, and so transports one beyond the veil to the spirit world. I've previously posted on my own theory that the gardeners of the Shire are its shamans. D. Why does Sam say that this is more elvish than anything he has heard tell of? Because it is. This is the sort of thing you just cannot describe, no matter how hard Tolkien through Frodo tries. What do you think of Sam’s remark? It shows that he is not be the typical unimaginative bucolic hobbit, but that he might actually have some Fallohide blood in him. Wouldn’t that be special? E. Sam has since the start of the quest met Elves in the Shire, in Rivendell & now in Lórien. What do you believe Sam’s experience of walking through the Naith of Lórien contribute to his understanding of the elvish (provided that you consider we have enough information to say anything about it)? It’s the same principle as modern zoos. You learn a lot more about a species if it’s in its natural habitat. Ironically, we meet real elvish Elves on the mundane road to Crickhollow, half-elvish Elves in half-elvish Rivendell, and now frat rat Elves in the heart of Elvendom on Earth. F. I urge those who have particular illustrations of scenes connected to Cerin Amroth or to Lórien in general that they would like to comment on, to bring these up in their post. ”It seemed like he was looking through a high window onto a vanished world. A light was upon it for which his language had no name... all that he saw was shapely...He saw no colour but those he knew, gold and white and blue and green, but they were fresh and poignant, as if he had at that moment first perceived them and made for them names new and wonderful... To me the rather surreal shot of Caras Galadhon in the FOTR-EE seems to capture this “old colors seen as new” quite well. I confess that I am madly in love with Tolkien’s description of flowers, although I, unlike Tolkien, do not take any special interest in the kinship and taxonomy of plants. In a letter to Amy Ronald, 1969, (Letters of J.R.R.T nr. 312) he tells her he has enjoyed The Cape Flower Book. I quote from the letter for those interested: “I have not seen anything that immediately recalls niphredil or elanor or alfirin, but that is because those imagined flowers are lit by a light that would not be seen ever in a growing plant and cannot be captured by paint. Lit by that light, niphredil would be simply a delicate kind of snowdrop and elanor a pimpernel (perhaps a little enlarged), growing sun-golden flowers and star-silver ones on the same plant” G. Tolkien may not have seen anything that recalls his image of the flowers of Lórien, but perhaps you have?
Articles or just your own thoughts about flowers and plants in Lórien would also be interesting. The blue rose symbolizes hope in the face of the unattainable. Rather appropriate, don’t you think?
****************************************** The audacious proposal stirred his heart. And the stirring became a song, and it mingled with the songs of Gil-galad and Celebrian, and with those of Feanor and Fingon. The song-weaving created a larger song, and then another, until suddenly it was as if a long forgotten memory woke and for one breathtaking moment the Music of the Ainur revealed itself in all glory. He opened his lips to sing and share this song. Then he realized that the others would not understand. Not even Mithrandir given his current state of mind. So he smiled and simply said "A diversion.”
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Beren IV
Mithlond

Mar 9 2008, 1:42am
Post #4 of 22
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A warm winter day in Lothlórien
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A. What do you think Tolkien/Frodo is trying to convey here? Lothlórien is a left over bit of the First Age. We just know that there is an Elven Ring here, don't we? B. Tolkien is at once specific and quite vague, or what do you think? What do you believe a literary modernist would have thought of this description? That some descriptions are beyond words? I think I can picture it more vividly with my imagination, and that's the point. Any good writer understands this. C. We have been walking for a long while, but apparently Frodo has done little of the talking. Still many things are seen from Frodo’s point of view. What kind of impression do you get of Frodo as a person and storyteller from this chapter? What kinds of things does he notice or focus on? Would you have liked to hear more from other characters? Yes. I think I can guess what the other Hobbits are thinking, and Aragorn also. But what about Legolas, Gimli, and Boromir? Legolas and Gimli I know are impressed, and Boromir is not. But what are they thinking? D. Why does Sam say that this is more elvish than anything he has heard tell of? What do you think of Sam’s remark? The sun is natural, too! Elves are light-loving creatures, even though they can see in darkness. More to the point, they are natural beings, and in this land of beauty and wonder, they need not hide from the sun. E. Sam has since the start of the quest met Elves in the Shire, in Rivendell & now in Lórien. What do you believe Sam’s experience of walking through the Naith of Lórien contribute to his understanding of the elvish (provided that you consider we have enough information to say anything about it)? Sam now has a glimpse of what the First Age was like. The Elves are creatures of an earlier era, and they were a natural part of the world, even moreso than modern people are a natural part of the modern world. To put it in his own words, "they belong here". I also think Sam begins to understand what the enchantment and powers of the Elves really are, although he is in for a shock next chapter when he learns they can do far more overt magic than just keep a forest primal. G. Tolkien may not have seen anything that recalls his image of the flowers of Lórien, but perhaps you have? Articles or just your own thoughts about flowers and plants in Lórien would also be interesting. The flowers aren't any different from the flowers of the real world: there are just a lot of them, and they don't ever go away. Most of them are dicots with five petals and five sepals, there are a few mustards with four, and a few lilies with three (note that lily sepals are also colored, so it looks like six petals).
Once a paleontologist, now a botanist, will be a paleobotanist
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FarFromHome
Doriath

Mar 9 2008, 11:31am
Post #5 of 22
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A. What do you think Tolkien/Frodo is trying to convey here? I think Tolkien is trying to give us a glimpse of what he must have felt when he read ancient stories. The world is still the same as now, but the eyes that see it are different. B. Tolkien is at once specific and quite vague, or what do you think? What do you believe a literary modernist would have thought of this description? A modernist would probably despise it. But Tolkien's not a modernist, he's a medievalist. And sometimes, I've started to think, a postmodernist "avant la lettre". C. We have been walking for a long while, but apparently Frodo has done little of the talking. Still many things are seen from Frodo’s point of view. What kind of impression do you get of Frodo as a person and storyteller from this chapter? What kinds of things does he notice or focus on? Would you have liked to hear more from other characters? I don't think this is really about Frodo the character - he's just our witness. He's a good witness, with a mystical, reverential attitude to all the things he sees and experiences. But when he "wrote" this, he wasn't focusing on himself, he was focusing on what he saw. D. Why does Sam say that this is more elvish than anything he has heard tell of? What do you think of Sam’s remark? I think it must be connected to what Sam says later to Frodo, about the magic of Lorien being "right down deep, where I can't lay my hands on it". He'd always been fascinated by Elves, as we know, but he sees now that he had a naive idea of what elvishness, or "magic" is all about. It's not about flashy displays, or wonders you've never seen before. It's about seeing what you have seen before, but seeing it in a new and deeper way, so that suddenly you see the magic that was there all along. I think it's related to Tolkien's own sense of seeing the world through different eyes when he studied the literature of vanished civilizations. That's the "glamour" or romance of a vanished time, it's what seems to come to life in Lorien, and it's also what Sam means, I think, when he says it's like being "inside a song" - "song" in its wider meaning, as in "songs or tales", i.e. stories. G. Tolkien may not have seen anything that recalls his image of the flowers of Lórien, but perhaps you have? Articles or just your own thoughts about flowers and plants in Lórien would also be interesting. My favourite image for elanor is the simple English daisy. They are tiny and unshowy, but they grow scattered over spring grass like stars in the night sky (Tolkien's own imagery, from this poem). They have a yellow, sunny centre (hence their name, "day's eye"), but white radiant petals that could be star-rays... But of course daisies aren't elanor, any more than the beech is the mallorn. The flowers and trees of Lorien are "lit by a light" that doesn't exist in our everyday world. They are part of Faerie. Sam has a daughter called Daisy as well as one called Elanor. But I think Elanor, conceived under the influence of Galadriel's elven dust, and blessed (and named) by Frodo before he leaves Middle-earth, is Sam's faerie-daughter, and so it's right she should be named after a faerie flower.
...and the sails were drawn up, and the wind blew, and slowly the ship slipped away down the long grey firth; and the light of the glass of Galadriel that Frodo bore glimmered and was lost.
(This post was edited by FarFromHome on Mar 9 2008, 11:35am)
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elostirion74
Nargothrond
Mar 9 2008, 11:42am
Post #6 of 22
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"I think Tolkien is trying to give us a glimpse of what he must have felt when he read ancient stories. The world is still the same as now, but the eyes that see it are different"
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Beren IV
Mithlond

Mar 9 2008, 7:43pm
Post #7 of 22
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Avast ye polyploid monstrosities!
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Lórien should have roses, natural roses, not those polyploid things. That means five sepals, five petals, fifteen stamens, and one pistil!
Once a paleontologist, now a botanist, will be a paleobotanist
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a.s.
Doriath

Mar 10 2008, 12:27pm
Post #8 of 22
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Frodo felt that he was in a timeless land that did not fade or change... when he had gone and passed out again into the outer world, still Frodo the wandered from the Shire would walk there upon the grass among elanor and niphredil in fair Lothlórien” A. What do you think Tolkien/Frodo is trying to convey here?
We discussed Flieger's book "A Question of Time" during our last LOTR discussion in this subthread. I'm just going to reprint my post from that time (no pun intended) since the book was clearer to me then: Verlyn Flieger's book, "A Question of Time: JRR Tolkien's Road to Faerie" addresses the issue of time travel and time, well, slippage let's say, in Tolkien's stories. For one thing, she addresses the word "Lorien", which is one of the earliest known defined words in Tolkien's lexicon. "Contemporary with" his writing of the first version of "Cottage of Lost Play" in 1917 are "two small books containing the earliest lexicons of the Elvish languages, cited by Christopher Tolkien in his appendix to Part I of BOLT". Lorien "a derivitive of the root LORO, 'slumber', with variants olm, oloth, olor, meaning 'dream, apparition, vision'". So the word VERY EARLY on meant something like dream-vision. She further quotes an essay by Tolkien written in 1954, part of an index of names he prepared for LOTR, which gives "Olorin" as an Elven name for Gandalf "and cites Olor as 'a word often translated "dream," but that does not refer to (most) human "dreams", certainly not the dreams of sleep. To the Eldar it included the vivid contents of their memory, as of their imagination: it referred in fact to clear vision, in the mind, of things not physically present at the body's situation. But not only to an idea, but to a full clothing of this in particular form and detail'" (and she cites Unfinished Tales here). She further cites Unfinished Tales with another note from Christopher about "'an isolated etymological note' that gives a similar explanation of meaning: 'olo-s: vision, "phantasy": Common Elvish name for 'construction of the mind' not actually (pre)existing in Ea apart from the construction, but by the Eldar capable of being by Art (Karme) made visible and sensible'". construction of the mind made visible and sensible, I emphasize that part! So, all that long introduction to quote even MORE Flieger! As we all know, Tolkien was interested in time-travel. It's what the challenge with Lewis was all about, but he was interested anyway. He knew something of J.W. Dunne's "Theory of Time", which he wrote about in a book called "An Experiment With Time" in 1927. I can't summarize it; I'll put a link below to the only decent web site I could find in a very cursory Google search. But time can be different depending on one's perspective. Time is not fixed; time is experienced, dependent upon perception and observation...and point in space from which observing. Anyway, one of the ways Tolkien fooled around with Dunne's theory of time is through dream travel. Hence "Notion Club", etc. but Tolkien also spent a VERY long time trying to get the wording right, when the Fellowship describe time in Lothlorien. It's important. We notice the Fellowship talking about it. We just don't understand what they're talking about. At first, Tolkien fooled around with trying to make time actually pass differently-RELATIVE TO THE OUTSIDE WORLD-while the company was in Lorien. However, while it did seem to pass "differently", they actually came into Lorien on Jan 17 and left on Feb 16. Time was not LOST. Time was somehow DIFFERENT. Flieger states that notes and hand-drawn schematics of this developing chapter make it clear that Tolkien was trying out some of his ideas in line with Dunne's theory. It has to do with the chapter "Farewell to Lorien" (sorry to get ahead, but I think it's important). It happens when Haldir comes to the company and announces he has been sent to be their guide again. He reports that he has "returned from the Northern Fences" and reports to them of the doings there, the smoke seen, the noises heard, etc. Then there are some lines struck out in the manuscript of one of the drafts, and above are the pencilled words: "This won't do--if Lorien is timeless, for them nothing will have happened since they entered". In other words, according to Flieger, "It 'won't do' to have an Elf in a timeless land report things happening in time." Tolkien needed and wanted to allude to the differences in time: Elven immortals experience time differently than mortal Men. But he simply alluded to this, after making many attempts to more explicitly illustrate it in text. Flieger cites HOME "Treason of Isengard" as the volume that Christopher has this exhaustive discussion of the many textual changes here. I don't have the volume, so can't check. So: Who controls time in Lorien? Is it like the time in the house of Tom B? Is it dream? Is it Elvish dream made real? Is time different in Lorien than in Rivendell? Mirkwood? a.s A Question of Time book review
"an seileachan" "Good night, little girls, thank the Lord you are well! Now go to sleep" said Miss Clavel. And she turned out the light and shut the door, And that's all there is. There isn't any more.
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a.s.
Doriath

Mar 10 2008, 1:10pm
Post #9 of 22
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forgot to include a link to Dunne
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My original link was not operative, here's a Wikipedia entry. a.s.
"an seileachan" "Good night, little girls, thank the Lord you are well! Now go to sleep" said Miss Clavel. And she turned out the light and shut the door, And that's all there is. There isn't any more.
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sador
Gondolin
Mar 10 2008, 3:46pm
Post #10 of 22
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Each time I read this passage, I like it more
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I first read it when I was, say, eight, and it rather bored me. But I've grown up to recognise the depth and beauty of it. A. What do you think Tolkien/Frodo is trying to convey here? I can't really say. Just feel it. B. Tolkien is at once specific and quite vague, or what do you think? What do you believe a literary modernist would have thought of this description? Yes he is. And as for your second question, I don't care for literary modernists. C. We have been walking for a long while, but apparently Frodo has done little of the talking. Still many things are seen from Frodo’s point of view. What kind of impression do you get of Frodo as a person and storyteller from this chapter? What kinds of things does he notice or focus on? Would you have liked to hear more from other characters? As the Ring-bearer, it might have had a harder impact on him. Still more, as someone who has not so far ago borne a Morgul-shard, working inwards. Elrond saved his life; Lothlorien renews it. And as much as I would dearly love to hear what other characters felt, it would spoil the moment. "...when he had gone and passed out again into the outer world, still Frodo the wanderer from the Shire would walk there upon the grass among elanor and niphredil in fair Lothlórien”. The intimacy of this can't be shared, we can see through only one pair of eyes; and as Frodo is our hero, it's his we see through. D. Why does Sam say that this is more elvish than anything he has heard tell of? What do you think of Sam’s remark? Elves experience nature pure, and unblemished; mortals can only imitate and envy them. But mortals have souls. Isn't that what Tolkien is trying to tell us throughout his legendarium? Apart of that, I agree with most of what Darkstone said (except for the parts about movies, none of which I have seen).
"lesser men with spades might have served you better" - Boromir
(This post was edited by sador on Mar 10 2008, 3:46pm)
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Dreamdeer
Doriath

Mar 10 2008, 8:03pm
Post #11 of 22
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You mean to tell me that Tolkien was speculating on dreams as a mode of time travel way back then? Physicists are just now beginning to explore the possibility that dreamer's perceptions can travel in time! I am speaking as a member of the International Association for the Study of Dreams, and though I am far from being a physicist myself, I have sat in on a number of the discussions and tried my best to absorb what I could on the topic. What a brilliant, perceptive man he was!
My website http://www.dreamdeer.grailmedia.com offers fanfic, and message-boards regarding intentional community or faerie exploration.
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Modtheow
Menegroth

Mar 13 2008, 2:53am
Post #12 of 22
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some thoughts on vision and music
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The line should be: "It seemed to him that he had stepped through a high window that looked on a vanished world." The feeling of stepping through a high window, crossing a threshold, marks the experience of something new. The window can act like a frame that shows off a picture of a world, but Frodo is passing over that threshold and going inside the picture, just as Sam feels that he’s gone inside a song. Both vision and music are working together to create this timeless place. Vision and music often go together like this in Tolkien’s way of thinking – as in the vision of the Ainur and the Great Music, for example. In "On Fairy-Stories," Tolkien says that fantasy offers Recovery, which he defines as: "a re-gaining – regaining of a clear view. I do not say ‘seeing things as they are’ and involve myself with the philosophers, though I might venture to say ‘seeing things as we are (or were) meant to see them’ – as things apart from ourselves. We need, in any case, to clean our windows; so that the things seen clearly may be freed from the drab blur of triteness or familiarity – from possessiveness." I think that in this case, Frodo has looked through a window so clean that he feels he's stepped right through it and entered Enchantment. Also, I think there’s a connection to "On Fairy-Stories" in how Tolkien uses colours in this description. In "On Fairy-Stories" he states: "We should look at green again, and be startled anew (but not blinded) by blue and yellow and red." This situation is reflected in what Frodo is seeing: "He saw no colour but those he knew, gold and white and blue and green, but they were fresh and poignant, as if he had at that moment first perceived them and made for them names new and wonderful." (I’ve been reading an interesting article on colour in LotR, published in Mythlore in 1981 by Miriam Y. Miller, titled "The Green Sun: A Study of Color in J.R.R. Tolkien’s The Lord of the Rings," in which she mentions this passage and its connection to "On Fairy-Stories." She also has some other interesting things to say about the use of colour terms in LotR.)
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a.s.
Doriath

Mar 13 2008, 10:15am
Post #13 of 22
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Both vision and music are working together to create this timeless place. Vision and music often go together like this in Tolkien’s way of thinking – as in the vision of the Ainur and the Great Music, for example.
Or in Frodo's vision of the rain curtain in his dream while sleeping in Tom's house: "Frodo heard a sweet singing running in his mind: a song that seemed to come like a pale light behind a grey rain-curtain, and growing stronger to turn the veil all to glass and silver, until at last it was rolled back, and a far green country opened before him under a swift sunrise". A mixture of vision and song, song "seeming as" light. And another "window" image of a curtain turning to glass (a "window"?) and being "rolled back" to show a vision. It's an even more pronounced mixture of sensations when, at the end of his journey: "...until at last on a night of rain Frodo smelled a sweet fragrance on the air and heard the sound of singing that came over the water. And then it seemed to him that as in is dream in the house of Bombadil, the grey rain-curtain turned all to silver-glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise". Fragrance--song--vision. But again, the "window": the curtain being rolled back to show the vision. a.s.
"an seileachan" "Good night, little girls, thank the Lord you are well! Now go to sleep" said Miss Clavel. And she turned out the light and shut the door, And that's all there is. There isn't any more.
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Modtheow
Menegroth

Mar 13 2008, 2:09pm
Post #14 of 22
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Yes! I hadn't thought of Frodo's rain curtain, but the window image is there. The "sweet fragrance on the air" in the last vision always reminds me of those old saints' lives, when some kind of heavenly perfume or sweet smell goes along with a vision of paradise. In the Lothlorien chapter, Frodo stands but the "others cast themselves down upon the fragrant grass" so maybe the fragrance has a part to play here too. I've been thinking a lot about a passage in Tolkien's poem "Mythopoeia" where he combines senses to describe sub-creation and enchantment -- I've been thinking of it as a mixture of vision, music, and language, but maybe the reference to flowers also suggests fragrance: He sees no stars who does not see them first of living silver made that sudden burst to flame like flowers beneath an ancient song, whose very echo after-music long has since pursued. I'm not satisfied that I could express the meaning of this passage adequately right now, but I think its ideas are connected to what we're looking at. Anyways, it's just occurred to me that there's a "Window on the West," so I'm going to take a look at that right now.
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N.E. Brigand
Gondolin

Mar 23 2008, 4:14am
Post #15 of 22
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Samwise and Tídwald, right enough.
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Sam
It's sunlight and bright day, right enough... I thought that Elves were all for moon and stars: but this is more elvish than anything I ever heard tell of. I feel as if I was inside a song, if you take my meaning. Tídwald
It's night right enough; but there's no firelight: dark is over all, and dead is master. When morning comes, it'll be much like others: more labour and loss till the land's ruined; ever work and war till the world passes. <><><><><><><><><><><><><><><><> We're discussing The Lord of the Rings in the Reading Room, Oct. 15, 2007 - Mar. 22, 2009! Join us Mar. 17-23 for "Farewell to Lórien".
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FarFromHome
Doriath

Mar 23 2008, 9:30am
Post #16 of 22
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Sam: It's sunlight and bright day, right enough... Tídwald: It's night right enough; but there's no firelight: "Right enough" is an unremarkable bit of "common speech", though, it seems to me. And Tolkien seems to put the same bits of common speech in the mouths of all his "common" characters, so that Sam, Butterbur and even orcs (for example) share expressions of the "...and no mistake" sort. If I had time, I'd check whether "right enough" occurs anywhere else in LotR, but maybe you've already done that? I certainly find it interesting that these two "right enough" examples come in lines where the "-ight" syllable is repeated (light, bright for Sam; night, light for Tídwald). Is that what makes the expression so "right" for these sentences?
...and the sails were drawn up, and the wind blew, and slowly the ship slipped away down the long grey firth; and the light of the glass of Galadriel that Frodo bore glimmered and was lost.
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N.E. Brigand
Gondolin

Mar 28 2008, 10:29pm
Post #17 of 22
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"colors and shapes" - elves and vampires?
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I just noticed, in our 2007 discussion of The Children of Húrin, that TORN's Galadriel quoted a passage from Anne Rice’s Interview with the Vampire:
It was as if I had only just been able to see colors and shapes for the first time. I was so enthralled with the buttons on Lestat's black coat that I looked at nothing else for a long time. Then Lestat began to laugh, and I heard his laughter as I had never heard anything before. His heart I still heard like the beating of a drum, and now came this metallic laughter. It was confusing, each sound running into the next sound, like the mingling reverberations of bells, until I learned to separate the sounds, and then they overlapped, each soft but distinct, increasing but discrete peals of laughter. The vampire smiled with delight. Peals of bells. That is very like Frodo at Cerin Amroth:
The others cast themselves down upon the fragrant grass, but Frodo stood awhile still lost in wonder. It seemed to him that he had stepped through a high window that looked on a vanished world. A light was upon it for which his language had no name. All that he saw was shapely, but the shapes seemed at once clear cut, as if they had been first conceived and drawn at the uncovering of his eyes, and ancient as if they had endured for ever. He saw no colour but those he knew, gold and white and blue and green, but they were fresh and poignant, as if he had at that moment first perceived them and made for them names new and wonderful. In winter here no heart could mourn for summer or for spring. No blemish or sickness or deformity could be seen in anything that grew upon the earth. On the land of Lórien there was no stain. Emphasis added in both cases.
<><><><><><><><><><><><><><><><> We're discussing The Lord of the Rings in the Reading Room, Oct. 15, 2007 - Mar. 22, 2009! Join us Mar. 24-30 for "The Great River".
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N.E. Brigand
Gondolin

Mar 22 2009, 7:44am
Post #18 of 22
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“for those who have dwelt in the Blessed Realm live at once in both worlds”
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When he had gone and passed again into the outer world, still Frodo the wanderer from the Shire would walk there, upon the grass among elanor and niphredil in fair Lothlórien. Inspired by Darkstone’s response: is Tolkien saying that Frodo now is like Glorfindel?
<><><><><><><><><><><><><><><><><><><><> We're discussing The Lord of the Rings in the Reading Room, Oct. 15, 2007 - Mar. 22, 2009! Join us Mar. 16-22 for a free discussion on the entire book. +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+= How to find old Reading Room discussions.
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N.E. Brigand
Gondolin

Mar 22 2009, 7:45am
Post #19 of 22
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“Would you accompany me to the edge of the sea / Let me know if you’re really a dream?”
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And he spends years searching for it again, and as an old man he finds it, and so embraces his still young Faerie bride once again. (-W.B. Yeats “Song of Wandering Angus”) It’s not quite the same thing, but have a look at the video for Josh Turner’s “Would You Go with Me?”, particularly the ending.
<><><><><><><><><><><><><><><><><><><><> We're discussing The Lord of the Rings in the Reading Room, Oct. 15, 2007 - Mar. 22, 2009! Join us Mar. 16-22 for a free discussion on the entire book. +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+= How to find old Reading Room discussions.
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N.E. Brigand
Gondolin

Mar 22 2009, 7:47am
Post #20 of 22
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See “Parma Eldalamberon” v. 17. //
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<><><><><><><><><><><><><><><><><><><><> We're discussing The Lord of the Rings in the Reading Room, Oct. 15, 2007 - Mar. 22, 2009! Join us Mar. 16-22 for a free discussion on the entire book. +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+= How to find old Reading Room discussions.
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N.E. Brigand
Gondolin

Mar 22 2009, 7:48am
Post #21 of 22
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If I had time, I'd check whether “right enough” occurs anywhere else in LotR, but maybe you've already done that? In “The White Rider”:
‘There was sorcery here right enough,’ said Gimli. ‘What was that old man doing? What have you to say, Aragorn, to the reading of Legolas. Can you better it?’ And Sam uses it again in “The Window on the West”:
‘Save me!’ said Sam turning white, and then flushing scarlet. ‘There I go again! When ever you open your big mouth you put your foot in it the Gaffer used to say to me, and right enough. O dear, O dear!’ Emphasis added, in both cases.
<><><><><><><><><><><><><><><><><><><><> We're discussing The Lord of the Rings in the Reading Room, Oct. 15, 2007 - Mar. 22, 2009! Join us Mar. 16-22 for a free discussion on the entire book. +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+= How to find old Reading Room discussions.
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N.E. Brigand
Gondolin

Jan 3 2019, 11:42pm
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I wonder if the famous "Up" credit sequence was inspired by this video.
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The Youtube link I posted in March 2009 is no longer valid, but I'm glad I did that, because it confirms that the Josh Turner music video predates the release of the Pixar film--a connection I never thought of before. Here's a working link, from October 2009: Would You Go With Me?
Treachery, treachery I fear; treachery of that miserable creature. But so it must be. Let us remember that a traitor may betray himself and do good that he does not intend. -*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*- <><><><><><><><><><><><><><><><><><><><> Discuss Tolkien's life and works in the Reading Room! +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+= How to find old Reading Room discussions.
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