Arwen's daughter
Half-elven
Hello, and welcome to my leg of the TTT: EE Appendices Discussion. I'll cover WETA Digital in 3 parts, with a summary of each of the sequences they discuss and a couple of quick questions. Please feel free to comment outside of the questions, they're just meant to get discussion started.
So today we have:
Intro –
-Film one had 540 shots + the DVD work.
-It was more difficult than film one because of all the character work: Treebeard, Helm's deep, & Gollum.
-Dean Wright came up with 790 shots and asked: can we do this? The answer had to be yes.
-WETA Digital doubled the number of artists, tripled storage, and quadrupled processing power between films one and two.
-Roger Kupelian called TTT a line of Sherman tanks bearing down on them that they had to prepare for.
Balrog –
-This sequence is only in the movie because of a John Howe painting. It originally had a slime Balrog sequence after falling into the lake, but it was cut for budgetary reasons.
-WETA did a series of motion tests to work out the speed and PJ's comments were always faster, faster.
-A lot of it wasn't meant to be realistic but to give you a rush. In one shot they actually travel a distance of 5 km in a single shot.
-Decided to go to a digital Gandalf as well as the live action shots they had of Ian McKellan on a big blue log.
-PJ wanted the wide shot of the cavern as they hit the lake. Alan Lee did a drawing that PJ loved and had the team do a miniature of the environment for it.
-John Howe: "It goes so far beyond that little picture I did that there's practically no relationship between the two anymore."
Questions:
1. Do you wish they'd been able to include the Slime Balrog?
2. Did you ever feel like the Balrog and Gandalf were falling too fast?
Warg Attack –
-One of the really worrying shots for WETA digital was of Legolas leaping onto the horse. They had no idea how it could possibly work. Originally, the leap was choreographed, but Orlando had broken a rib and was unable to shoot it. They filmed him leaping up next to the horse and digitally filled it in.
-The meetings (or turnovers) with PJ and the team consisted mainly of PJ trying to see how many jaws he could make drop in the room. He presented Legolas' leap onto the horse very dryly while the WETA team were trying to figure out just how they could possibly do it.
-PJ wanted it to look like a Russian circus performer, someone who knew the animal very well, something really dramatic.
-Most of the Warg attack consisted of a bunch of plates of Rohan running through the battlefield "sort of Monty Python, swinging their swords and horses galloping from one side to another."
-PJ chopped together a bunch of plates that he thought would look good, and then WETA pieced in Wargs to make the actions seem purposeful.
-They tried to find actions for the Wargs that worked and then tried to find any plates where that action would work in.
-PJ then asked for 5 or 6 "punctuation shots": Wargs charging the camera, riders falling onto the camera, etc.
Questions:
1. Did the Legolas stunt work for you?
2. Before you saw the documentaries, did you ever think the Warg attack was quite so unplanned?
So today we have:
Intro –
-Film one had 540 shots + the DVD work.
-It was more difficult than film one because of all the character work: Treebeard, Helm's deep, & Gollum.
-Dean Wright came up with 790 shots and asked: can we do this? The answer had to be yes.
-WETA Digital doubled the number of artists, tripled storage, and quadrupled processing power between films one and two.
-Roger Kupelian called TTT a line of Sherman tanks bearing down on them that they had to prepare for.
Balrog –
-This sequence is only in the movie because of a John Howe painting. It originally had a slime Balrog sequence after falling into the lake, but it was cut for budgetary reasons.
-WETA did a series of motion tests to work out the speed and PJ's comments were always faster, faster.
-A lot of it wasn't meant to be realistic but to give you a rush. In one shot they actually travel a distance of 5 km in a single shot.
-Decided to go to a digital Gandalf as well as the live action shots they had of Ian McKellan on a big blue log.
-PJ wanted the wide shot of the cavern as they hit the lake. Alan Lee did a drawing that PJ loved and had the team do a miniature of the environment for it.
-John Howe: "It goes so far beyond that little picture I did that there's practically no relationship between the two anymore."
Questions:
1. Do you wish they'd been able to include the Slime Balrog?
2. Did you ever feel like the Balrog and Gandalf were falling too fast?
Warg Attack –
-One of the really worrying shots for WETA digital was of Legolas leaping onto the horse. They had no idea how it could possibly work. Originally, the leap was choreographed, but Orlando had broken a rib and was unable to shoot it. They filmed him leaping up next to the horse and digitally filled it in.
-The meetings (or turnovers) with PJ and the team consisted mainly of PJ trying to see how many jaws he could make drop in the room. He presented Legolas' leap onto the horse very dryly while the WETA team were trying to figure out just how they could possibly do it.
-PJ wanted it to look like a Russian circus performer, someone who knew the animal very well, something really dramatic.
-Most of the Warg attack consisted of a bunch of plates of Rohan running through the battlefield "sort of Monty Python, swinging their swords and horses galloping from one side to another."
-PJ chopped together a bunch of plates that he thought would look good, and then WETA pieced in Wargs to make the actions seem purposeful.
-They tried to find actions for the Wargs that worked and then tried to find any plates where that action would work in.
-PJ then asked for 5 or 6 "punctuation shots": Wargs charging the camera, riders falling onto the camera, etc.
Questions:
1. Did the Legolas stunt work for you?
2. Before you saw the documentaries, did you ever think the Warg attack was quite so unplanned?