Idril Celebrindal
Tol Eressea
"Bombur! Wake up! You're out of your sack now!"
We rejoin the episode after Gandalf's return.
1. Could you visualize the trolls turning into stone as the sun comes up?
This is a tricky one to do with just audio -- after all, what would something suddenly turning into stone sound like? The "falling rock" sound effect is not a bad choice, though. I also like how Gandalf exclaims, "Dawn take you all and be stone to you" like he's giving an incantation -- for a second, even a die-hard Hobbit fan like me got the impression that he was the one who'd turned the trolls into stone!
2. What do you think of the comedic touches so far?
I like the humor in this radio adaptation. Bilbo babbles, tries to hoot like an owl, argues with the narrator (!), and in general behaves like a flustered member of the bourgeoisie. Thorin is in full "Who moved my cheese?" middle manager mode. Balin and Gandalf are acerbic. And now Bombur establishes his role as the Official Dwarven Comic Relief Character by falling asleep in his sack ... and snoring loudly. I think this last is a bit overdone, although it's funny enough and sets up Bombur's later slumber.
3. The Dwarves find the troll's cave easily enough. Does it strike you as odd that the trolls have barrels of bacon, ale, cheese and bread? What about their loot and the swords?
The cave is unlocked, so there's no need for a key to implausibly fall out of a troll's pocket!
This is another inconsistency that comes from eliminating the part where the supply pony was swept away. It seems a bit odd that the party would take the trolls' food, given how much they complain about the smell in the cave! Not a huge point, but it's something that a person who's unfamiliar with the original story might find puzzling. Of course, in the book, it's explained by their lost supplies. The radio adaptation also doesn't mention that the trolls have eaten half a village between them and presumably would have looted the villagers' food for a side dish.
I never really questioned the trolls' treasure hoard, though, even the presence of fabled weapons like Glamdring and Orcrist (not to mention Sting). Weirdly, it seems more plausible for trolls to have acquired valuable blades (the remnants of old plunder?) than it does for them to have gotten their hands on mundane things like beer!
The Dwarves' desire for gold is reinforced here by their repeated cries of "What about the gold?"
4. .What do you think of the party's entrance to Rivendell?
The Elves in this adaptation aren't quite as flighty as the Elves in the book, but they're still gossips who tease the Dwarves. The Dwarves in turn are irked that the Elves won't show themselves and a couple of Dwarves express their opinion in no uncertain terms. Bilbo, of course, is enchanted! Chanting in the background gives an appropriately ethereal air to the proceedings.
What I found intriguing is Balin's assertation -- "Elves are too full of themselves, if you ask me, just because they have more magic than us!" Jealousy! And it indicates a key point of difference between The Hobbit and LOTR: the use of magic. Magic is more commonplace in The Hobbit; especially in this adaptation, more characters are aware of it. In LOTR, magic is more of an intrinsic power that's tied to a person's will and strength of mind. Here the Dwarves seem familiar with it and resent the fact that they don't have magical powers.
The narrator chimes in again, describing the Last Homely House. Here again I think Bilbo could have done it.
5. How does Elrond come across? Do you like how he's portrayed?
I think Elrond is acted in appropriately grand style for someone "as noble and fair in face as an Elf Lord, as strong as a warrior, as venerable as a king of Dwarves, and as kind as summer." He even gets one up on Gandalf by reading the runes on the troll swords (neither book nor radio play ever explain why Gandalf can't read them) and discovering the moon letters on the map.
Elrond claims his motivation for helping the Dwarves is to destroy Smaug and avenge the town of Dale -- tall orders indeed, and ones that aren't mentioned in the original book. Do we have a bit of mission creep?
6. And about that tra-la-la-lally ... A common point of argument about the upcoming Hobbit movies is how GDT should handle Tolkien's description of the Elves singing things like "Tra-la-la-lally, way down in the valley, tra-la!" Prevailing thought is that this is simply too goofy to film as written and must be changed for the film adaptation's own good! How does the radio adaptation handle the issue?
By keeping the tra-la-la-lally! We hear a chorus of Elves singing "Tra-la-la-la-la ..." to the accompaniment of drums and pipes, representing their Midsummer's Eve revels. It's all very Renaissance-y. I think it's a decent solution to the problem that keeps a level of consistency with the original, fits the early music score, and most importantly, doesn't sound completely goofy.
Coming up next: Misty Mountain Hop! I'm going to lead the discussion for Episode 3, too, and will seque right into it on the next discussion post.
Last edited: