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The Kalevala, Finnish mythology and folklore, and Tolkien references (Part 12)
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Ilmatar
Rohan


Jun 22 2017, 8:13pm

Post #1 of 27 (4959 views)
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The Kalevala, Finnish mythology and folklore, and Tolkien references (Part 12) Can't Post



(Russian edition cover)

This is about Finland's ancient national epic, Kalevala, and related topics. For anyone new to the threads - and those who may have missed the previous thread's last post(s) - it is recommended that you have a look at the links below.

Everything in italics is taken straight from the Kalevala translation by J. M. Crawford (1887), as well as everything in quotes in the middle of a non-rhyming body of text (i.e. parts of the poems I have "opened" to be read as normal text). All comments and questions are welcome as always via post or a PM. Smile

In this thread we would finally reach the poems about Kullervo, the anti-hero who inspired J. R. R. Tolkien to write his own version of the tale, but unfortunately I only have access to a translated (Finnish) copy of his book at the moment, and I would like to read it in English before posting anything about it. In case I don't have time to get a copy of the original soonish (and read it - soon it will be Midsummer's Eve and other summer holiday & real life stuff) then this thread will probably focus more on "interludes" and the poems of Kullervo as described in the Kalevala, and any comments/posts regarding Tolkien's book could be left for the next thread.

Of course, now we are well past Easter, and Vappu (May Day) came and went...



(After many years of buying from stores I finally made these tippaleipä funnel cakes again. It's fun and easy, but very messy. Tongue)

...And in the old times, there also used to be something called Kevät-Risti (Spring-Cross) on May 3. But in April 23 it was "Jyri's day", as briefly mentioned in the calendar post, and even though it's been a while I will make a post about that.

(Coming up in "interludes" of future threads: trolls and werewolves, rituals and spells, death and the devil, changelings and sages, animal and plant myths, symbols and sauna, etc.)

*** = Interludes = posts about folklore, mythology, language, traditions etc.

Part 1
Introduction - Kalevala, the heart of Finnish mythology
Tolkien and Finnish Influences
Creation Myth: World Born out of Eggshell Shards
Väinämöinen - Birth of Humanity & Pellervo - God of Fertility and Plants
The World-Tree, Sea Monster, and a Surprise Giant Clad in Copper
Barley Sowing, Slash-and-Burn, and the Gratitude of Eagle & Cuckoo

Part 2
Väinämöinen vs. Joukahainen: the Magical Battle of the Bards - War of Wizard Sayings
The Fate of Aino, Pohjola's Fair Maiden
Väinämöinen's Lamentation and the Spirit Salmon
Unhorsed by an Adversary, Saved by the Eagle, Trading with the Mistress of the Northland

Part 3
Challenges by Maiden on the Rainbow - and an Axe Accident
Origin of Iron - and the Blacksmith Ilmarinen
Healing of Väinämöinen
How the Blacksmith Ilmarinen was Tricked and Flown by a Giant Fir Tree

Part 4
*** "Midsummer Night's Dream" - magic and pagan traditions in the light of the Midnight Sun
(Midsummer Eve photos)
Forging of the Sampo, the Magical Mill - Horn of Plenty
Notes: The meaning and symbolism of Sampo - possible theories and connections
The handsome Lemminkäinen and the beautiful Kyllikki

Part 5
***Kekri - the ancient harvest festival and time of spirits that was almost forgotten in time
Broken Vows, Evil Portents, and an Ostentation of Wizardly Powers
*** Ghost stories, the restless dead, and witches
Skiing After the Magically Made Moose of Hiisi
A Hero's Ordeal: From Moose Quest to Hunt for a Flaming Horse to Trying to Shoot a Swan of Tuoni

Part 6
*** Winter Solstice and the Old Yule
***(Some traditions of Dec 26)
Reclaiming a Hero from the Kingdom of Death

Part 7
*** Traditions for Easter (and the vernal equinox)
Voluntarily Visiting the Underworld Is Not Wise, Even for Mighty Heroes
In the Innards of Talkative Stone Giant - Mighty Mage of MANY Words
Opinion/recommendation for a translation

Part 8
*** Vappu - May Day (Eve) traditions
Kalevala - What's in a name: If you mix up the vocals..
The Rival Suitors, Northward Bound: One by Boat, Another by Sledge
The Final Heroic Deeds of Ilmarinen: Vanquishing Snakes, Beasts of the Underworld, and the Giant Pike of Tuoni

Part 9
Wedding Preparations in the Northland, and the Origin of Beer
How to Properly Greet, Feast and Sing in Honor of a Notable Wedding, and Sadden and dvice the Bride (Iron Age Style)
*** Another Midsummer's Eve :)
The Kalevala translator Crawford's views and opinions about Finns, Finnish, and the Kalevala (1887)
An Unwelcome Guest Meets the Fiery Eagle and the Monstrous Snake of a Hundred Eyes
*** Night of Ancient Fires (Aug 27)

Part 10
*** The Finnish Calendar: Names of the Months - Turning of the Year and Some Old Celebrations (plus notes below)
"I'll See Your Bull and Raise You a Wolf" - a Fateful Fight in the Northland
*** Viewpoints, features and basics of the ancient Finnish faith
Escapee, Refugee, Paramour, Fugitive and Prodigal Son - Further Roles of Lemminkäinen
*** From the firmament to the underground realm: World View of the Ancient Finns

Part 11
*** Laskiainen - the Finnish version of Shrove Tuesday or Mardi Gras
Unfortunate Attempt at Conceited Revenge, and the Origin of Frost
*** Godly origins of the heroes of Kalevala - Väinämöinen, Ilmarinen and Joukahainen
(More Kalevala inspired art & illustrations)
Attachments: Kalevala_russian transl_ (Custom).jpg (45.3 KB)


Ilmatar
Rohan


Jun 22 2017, 9:05pm

Post #2 of 27 (4903 views)
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*** Jyri's Day (April 23) [In reply to] Can't Post



As mentioned in the "Finnish calendar post" (linked above), April 23 was Jyri's day. This is a quick post to make because I get to copy some of the content (with minor clarifications) from the "Suomenusko" Facebook page.

Letting the cattle out to pasture in spring was a festive occasion. After many months of pale, weak milk - or none at all in winter months - cows would finally start giving plenty of yellowish, greasy and nutritious milk.


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The grazing season - and the work season for shepherds - began after the "summer nights" in April, and continued until the "winter nights" in October. Jyri's Day is the traditional day for letting
the cattle out of the winter shelter in eastern and southern Finland. It was said that “Jyri carries the cattle on his back if needed”, which meant that cattle was allowed to come out of the dark
cowshed for a brief time even if there was snow and ice on the ground. The customs and traditions of Jyri’s Day ensured good luck for the cattle and house for the coming summer.

Letting the cattle out was a long-awaited and solemn event. The cattle were walked through the gate that was decorated and had protective symbols such as torches, rowan branches and iron
objects attached to it. An ax could be hidden under the barn's threshold. Livestock could be also protected with female spiritual power [more abot that in some other post]. The act of doing so
was called "harakoiminen". This was done by letting the cows and sheep walk pass the gate as a woman stood on top of the gate so that the animals walked between her legs. The animals
could also be protected by using objects such as bear claw and bear tooth, as well as a specific “incantation stone”.




There were additional traditions to follow before letting the cattle out for the first time. They were made in an effort to prevent cattle from running away and disappearing once they got to forest pastures later in summer, and to make cattle more willing to come back to the cowshed for nights. An X-shaped cross was painted with tar on every cow's forehead (or back), a piece of red wool yarn was tied to every tail, and an egg was placed by the threshold of the cowshed. The cow that happened to break the egg on its way out of the building was thought to be under a threat to be mauled by a bear in summer, and must be kept under careful watch.

When the animals were outside, in some regions people would dig some of their hoof prints up with a spade, turn them around and put back down so that they were headed back to the cowshed. This would ensure that the cows would come back without trouble. (The same could be done later in summer, if necessary.)


Quote
Jyri's Day was held in silence, so that thunder would not damage crops or buildings in the summer and the livestock would be protected from predators. One was not allowed to work, ride a horse,
or make loud noises of any kind, including slamming doors. If the day passed quietly, summer would be calm as well. Cattle were also guided to their forest pastures in silence, so that the forest
would not become angry. On this day, people were not allowed even to cut a branch from a tree. If an animal died in the summer, the reason was that right customs had not been followed on Jyrki.

Guardian spirits of forest and cattle were given food offerings on Jyrki's Day, so that the cattle would be protected in the summer when it grazed in the forest pasture. In South Savonia, people ate
a meal and, before tasting anything, they placed part of every food to a special plate as an offering. Dishes such as pies, butter, milk, eggs and meat were taken to sacrificial trees in the hiisi,
a sacred grove. The dishes could be carried in a birch bark pack that was left to hang from a tree. People might also walk around the cattle while reciting spells and carrying a burning candle.
The candle was later burned in the hiisi. There were also individual sacrificial trees to which people left offerings, such as money, when walking past them with the cattle. The shepherds offered
a drink of liquor to each person they met while herding the cattle for the first time. This ensured good cattle luck for the summer.

Despite the silence associated with the day [particularly inside the house], it was also customary to "shout to the forest" to keep his beasts away during the grazing period. Around the Saimaa
area [in eastern Finland] the night before Jyri's Day was called the "shouting night". People walked in the forests at night and drove the wolves away with their shouts. For the same reason bonfires
were burned on hilltops, and shepherds played their horns. In some areas there was a particular custom called jyrynajo, "driving Jyri away", which consisted of children wearing cowbells and running
around the yard and nearby forests, making as much noise as possible.

Curiously, on Jyri's Day, as well as on jakoaika [division time] after Kekri, people were not supposed to give away anything from the house, no goods nor animals, in order to keep the house
prosperous. It was believed that whatever was given away on this day would not prosper in the coming year, but would decline instead. Consequently, if one had bought a cow, it was useless
to come and ask for it on Jyri's Day - giving the cow away would result in the death of all the house’s cattle. The same belief is known in Estonia, where not even fire to light one's pipe was given
to outsiders on this day.
(source)




2) wood cutting art by Akseli Gallen-Kallela

In Joroinen, Southern Savonia, a ritualistic meal was offered to the poor in Jyri's Day that may be a remnant of some ancient practice of common meal. The house's cows were lead to a corral and a camp fire was lighted there, next to some large, flat stone. The stone surface was swept with sprigs of spruce or pine, and when it was hot enough, dough was spread there to bake into thin, unleavened bread. The poor people of the village moved from house to house and gathered around to eat the tasty, crispy "ember bread". They were not to take anything with them but could eat all they wanted at the spot. If any bread was left over, the pieces were collected, wrapped inside a cloth and put up to hang on a tree branch. The following day the poor could come again and eat what was left. This was probably done in the hopes that the poor would bless the house.

In Jämsä, Central Finland, people celebrated with a meal of roast, butter and thin pancakes ("Finnish crêpes"), and everyone participated in leading the cows out. The more people ate, the more cows would eat in summer and more milk they would produce. In the Ostrobothnia region women prepared either a special "letting-cows-out porridge", or a milk soup where pieces of delicious baked cheese were added. In Karelia, pies were baked and a pea soup was supplemented with some meat that had been saved from the sacrificial ram of Michaelmas (see the Kekri post). In some parts of the country it was also customary to start sowing on Jyri's day, and this was celebrated with a meal that centered around a festive dish with ties to ancient past, called kyntökakku "sowing cake" or karjakakku, "cattle cake". It was a large, thick, decorated bread - with some straw sticking upright in it, for added luck - that had been baked at Kekri (or later, Christmas), or from the first grain harvest of the previous year. It had been been kept on the Kekri table under other, smaller loaves of bread and then stored inside a grain bin over winter, until it was time to let cattle out in spring. Then it was cut to pieces that were offered to people and cows alike. Sometimes (part of) the bread was shared between the person who had done the sowing and the horse that had been used in the work; sometimes the bread was crumbled and sowed into the field to ensure a good harvest.

The weather on Jyri's day was thought to foretell the rest of spring, and summer. If it's cold in Jyri, spring will continue cold, and the house will lose "every third grain in a straw or every third log in the stack". Thunder and lightning before Jyri's day was the sign of a cold, rainy summer.

In most parts of the country, the day would often end with playful "watering of shepherds" and, in many cases, everyone else as well. Young shepherds and herders coming back from the pastures were chased by other young people who carried small bowls of water and attempted to throw it on them. After the shepherds were sufficiently wet, everyone else could expect to get their share. People would run after each other with cups of water, or sneak around corners on the yard to attack their victims. Some may try to hide in their beds but could have a a little shower poured over them even there. The master and hostess of the house took part the same as everyone else, and if someone made the error of changing into dry clothes too soon they might have to change again later. Most people took this with good humor, but on rare occasions a fight might break out. The reason for watering shepherds (and then, others) was the belief that the more water was poured over people, the more milk the cows would give over summer.

The night after Jyri's Day was the first of three "summer nights" (suviyöt), and it was called "hay night". The following nights were "grain night" (24 April) and "berry night" (25 April). If these old summer nights were snowless and the ground was visible, it was an omen for a good and prosperous year. If only one of the summer nights was warm, the product it had been named after - hay, grains, or berries - would grow well.

Jyri's Day is the resting day for horses. He who drives horses then will be harassed by a bear in summer.
Feed salmon's skin to the ox on Jyri's Day so it will stay healthy.
The wolf gives birth on Jyri's night, and howls once for each pup. Hunters are out and listening.



(photos 1,2 by K. Hassinen)



(This post was edited by Ilmatar on Jun 22 2017, 9:13pm)
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Ilmatar
Rohan


Jun 22 2017, 9:29pm

Post #3 of 27 (4893 views)
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*** About oral tradition and folklore [In reply to] Can't Post

Oral tradition can be divided into categories, such as myths, riddles, proverbs, spells and the Karelian lamentations. Features and creatures of the Finnish folklore are present in both, stories as well as what are called "belief legends"; the difference between the two is that while stories were just fairytales and not thought to be true, belief legends reflected things that the community truly believed in. While this article explains why the term belief legend "has outlived its usefulness in our time", I will nevertheless use it here simply in order to differentiate between folk tales meant for entertainment, and stories and concepts that people genuinely believed in and "knew to be true".

The Finnish word for religion, uskonto, is derived from the verb uskoa "to believe", which is apparently rare on a worldwide scale. Faith that is based on "believing" covers only part of the ancient religion's concepts, and when talking about the old Finnish faith it can be misleading because it was not exactly a religion in the same way as we now perceive that term. A hunter of bygone times did not believe that there was a forest spirit who influenced his chances of getting prey; he knew there was a forest spirit. A sick person who sought help from a healer-sage did not believe in the healer's capabilities; he knew that they could heal. This knowledge was similar to the way we know that a doctor probably can, in most cases, heal us.

Belief legends can be divided into groups according to their intended functions: they can be
- teachings and warnings (the guardian spirit of a home must be treated with respect; you must not call for the spirits of the dead in jest; eating any food of the "earthlings" (maahiset) is not a good idea)
- explanations (where did a strange place name come from; how did some large boulder get its name or supernatural reputation) and
- "confirmation legends" meant to strengthen a belief (Vellamo, the goddess of water, does indeed have her own cattle; there really are such creatures as fire foxes).
Many belief legends also aim at teaching the rules of the local community to the listeners by recounting what happened to those who ignored them (you must be careful with the household tasks; always respect your ancestors; going to the forest at certain times can be dangerous).

Stories, folk tales, could have a human or a non-human being as their main character. They had a formal opening phrase, such as "once upon a time" or "in the old days, when making a wish still made a difference"; these phrases told the audience that what followed was a story, not to be taken seriously. Folktales survived as oral tradition, with every storyteller, situation and intended audience causing minor differences in the stories' details, so that there are several versions from different regions and different times, all of them "correct" as such. Many old tales were told by different tribes and nations in different countries, each with their own local flavors. Two most popular story types in Finland were fairy tales (or tales of magic) and animal tales. Fairytales had a human main character and included a supernatural element, like a magical item, talking animal, person who has magical abilities, or shapeshifting. In animal tales the animals lived like humans; they could farm the land and talk with each other or with humans, etc. The most popular animals in Finnish animal tales were usually forest animals (fox, bear, wolf and hare at the top of the list) while the rest were farm animals (horse, cat, ram, dog, mouse and pig etc.).

Attitude towards mythical or supernatural beings was very different in belief legends when compared to folk tales. Beings that appeared in belief legends could be dangerous; they must be treated with respect and care, and the legends gave information, advice and warnings about them. By contrast the folk tales seem to encourage a careless and daring approach, and in them supernatural beings can be tricked or defeated as opponents, or they may appear as helpers to people. In folk tales the beings can be controlled, while in belief legends they cannot.

Folk poetry in the Kalevala metre includes epic poetry (poems that make up the Kalevala, as well as other narrative poems), lyrical poetry (with topics such as sorrow, love or orphanhood), and poems for weddings, working, dancing, as well as children's poetry, spells, lullabies, and riddle poems. Spells are then divided into prayers, narrative spells, origin spells and incantations that attempted to change or ensure conditions in a favorable way. Every sage and healer was very particular with the spells and magical words they knew, because spells would lose their power if the words were changed.

Finnish oral folklore, and especially belief legends, tell tales of many creatures and non-human folks: guardian spirits, trolls, the hiisi folk, "earthlings" (maahiset), gnomes, giants, devils, ghosts, etc. But some universally known mythical beings are absent from the Finnish tradition: fairies and elves as depicted in the Irish and German mythologies (while some guardian spirits, forest spirits etc. do have similar qualities), dragons of any kind, unicorns, and dwarves (although some other beings are equally small in stature and/or live inside mountains).



Art by Robert Wilhelm Ekman: "Pentti Lyytinen sings old poems in a house in Savonia", 1848
(he is the one in red hat; the other two men in the center are visiting scholars)



Ilmatar
Rohan


Jun 23 2017, 11:43am

Post #4 of 27 (4864 views)
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Happy Midsummer's Eve! [In reply to] Can't Post



1) birches in Karelia photo by H. Haapalahti, 2) photo by A. Kuittinen, 3) by A. Hämäläinen


* The long Midsummer (juhannus) post of 2015, covering all the basics
* Last year's brief Midsummer post

As mentioned in the long Midsummer post:


Quote
In the Middle Ages when Christianity took over the pagan practices, the date was set as the 24th of June and the holiday was given the name juhannus, after John the Baptist (Johannes Kastaja in Finnish).
Many pagan practices still survived through the centuries, and some of them can be experienced today. Since 1955, juhannus has been celebrated on the Saturday that takes place between June 20 and
June 26, but many old people still remember June 24th as being the "real" Midsummer Eve (exactly six months apart from Christmas Eve at the 24th of December).


Today is Midsummer's Eve, and tomorrow the "Old Juhannus", 24th June. The night between 24th and 25th has traditionally been called taikayö, "magic night", and it's one of the best times of the year to make magic
as nature's powers are at their strongest.

Most of this below was covered in the long Midsummer post, but some bits and pieces were not, so instead of cutting separate sentences I will quote the text (contents from the Taivaannaula website and translated into
English by Anssi A. of the Suomenusko Facebook group):


Quote
On Midsummer (Juhannus), the day is long and nature at its most beautiful. During this time the nature is going through a transition phase the same way as during midwinter. According to the ancient
worldview, the powers of nature are strongest during these kinds of transitions, and this is also when they can have the most powerful impact on people’s fate.

On Midsummer's Eve twigs and sprigs were brought to houses, barns, and other buildings. The plants were believed to be full of flourishing power. The walls of the rooms were decorated with rowan branches,
and, in northern Finland, flowering bird cherries. Flowers were also gathered and flower garlands placed on walls and windows. The floors were covered with heaps of fragrant aspen and rowan leaves. Children
were said to have had great time playing amidst the leaves with cats and dogs.

The decorative plants were collected in the evening and the actual decoration was done during the midsummer night. As the fertile twigs and sprigs were believed to have their own unique power, the decorations
were not unnecessarily torn or cut. Person doing so would face sorrow and grief in the future. In Uhtua, Karelia, the twigs were collected by hand and no iron cutting tools were allowed.

There has been a custom in the whole country to decorate the outside entrance of doorways with young birches. In western and northern Finland people also built birch "huts" or orchards to the yard. In Central
and Northern Ostrobothnia, a tall spruce, ‘juhannuskuusi’, was erected on the yard. The tree was pruned so that only the top and few branches in the middle of the trunk were left. The tree was left standing on
the yard until the autumn, or even ‘till next midsummer. The customary thing to do in Kainuu was to chop the tree to firewood on Kekri morning.



Sauna with juhannus birches


Cattle and shepherds got their share of symbolic decorations. In South Savonia and Tavastia reeds were weaved into a decoration called ‘liuhta’ that was attached to the cow's horns. The decoration covered
the animal's eyes, and it was said that if the cattle could travel home on midsummer with their eyes covered, they would do so on other occasions, and would not fall under the forest spirit's spells. The
cattle decorations, as well as the other twigs and sprigs, were carefully stored away after midsummer. They were used to feed the cows after calving or on other special occasions during the winter, such
as Joulu [Christmas].

On Midsummer Eve people went to sauna with their own brand new whisk. This whisk was used only once. In Kankaanpää, it was prepared from juniper, alder, birch and aspen twigs. Seven branches from
each tree were used make the whisk, and using it was said to bring good health. After sauna, whisks were thrown to the sauna's roof and predictions were made based on their landing positions, similarly
to what was done on Helluntai [Pentecost].

Midsummer bonfires have been burned traditionally in eastern and northern Finland. In western parts of the country the fires were burned during the spring feasts such as Helluntai, Hela and Pääsiäinen [Easter].
Burning the bonfires was a big festival with singing and dancing. Each village had a dedicated bonfire place, such as hill, island or beach. Villages could start building their midsummer bonfires weeks before
the feast and the whole village took part in the construction. Tar barrels, among other things, were placed in the fire.

Both the young and the old gathered around to fire to dance and celebrate. Lighting up the fire was a special honor given to a particular village elder. The fire could be kindled using traditional methods such
as friction-based fire-making. People sang and danced around the fire, and men could fire their guns in the air to celebrate the moment. The fate of the bonfire's supporting wood pole was said to symbolize
the marriage luck of the village's girls. If the tree was only half burned and stayed up, not everybody would not get married. If it burned and fell, there would be weddings in the future.





Quote
The midsummer night was a special time for observing omens about cattle, harvest and marriage luck. Young girls, in particular, performed various love-related spells during the night. After leaving
from the bonfire party, a girl might roll naked in the rye field of his favorite boy's family. When the boy ate bread made from the rye, he fell in love with the girl.

Girl could also put particular things under her pillow in order to see her future life partner in a dream. For example, if a girl put an unbound whisk under her pillow, her future spouse would visit her in
a dream and bind the whisk. Other ways to see one's future partner included going out on midnight and walking three times around a sauna, a spring flowing to the north, or other special place.

Maidens could also visit female tietäjä [sage] to increase their marriage luck. The tietäjä strengthened the girl’s sexual charm or marriage luck ('lempi') in a sauna ceremony which included reciting
certain spells in sauna, pouring water and whisking with various floral and sprig whisks.

Midsummer’s dew was believed to be especially powerful and it was gathered before sunrise. Dew was said to heal diseases, including eye diseases and ear pain, and promote fertility. Dew also
enhanced beauty. If a girl washed her face with dew before sunrise, she would not get tanned during the whole summer.

The soil is at its most fertile on midsummer nights. Hence, one could take some of the abundance on the neighbor's field and move it to one's own barren fields. This was done by taking part of the
growth on the neighbor's field, for example, three ears of grains, and carrying them to one's own field. This meant that the luck and success of the field followed. One could also use a piece of cloth
to gather dew from the neighbor's fields and squeeze it to one's own field.

In Savonia and Karelia it was a customary thing to prepare porridge on Midsummer Eve, and visit fallow field were the whole family ate the dish while sitting on a wooden farrow. Before people ate
anything, milk from each of their cows and a spoonful of porridge were given to the stone in the field [cup stones, see this post. This ensured good cattle luck for the whole year and good harvest for
the field. It was said that even during later days old people did not dare to go see the bonfire before the meal had been eaten and sacrifices given, otherwise their cattle luck would be ruined.

Future fate could be predicted on the midsummer night with many ways. One interesting way was to tie three ribbons to three rye straws. One ribbon was red, one white and one black. On the morning
after midsummer night, just before sunrise, people went to see which straw had grown the most. If it was the red, there would be lots of joy and good harvest, and if white, things would be normal. If the
straw with the black ribbon had grown the most, there would be sadness and bad harvest.

Traditional midsummer foods are made from milk. Different kinds of cheeses, for instance, were made in different regions. In Central Ostrobothnia people prepared local specialty, reddish midsummer
cheese. During the midsummer night young men would go from house to house giving twigs and branches. In return, they got to taste the cheese prepared by the house's daughter. As making the cheese
requires a lot of patience and diligence, it could also give a hint about the girl’s temperament as a potential future spouse.




1) women in national/regional costumes gathering flowers for midsummer magic, 2) midsummer bonfire with followers of the ancient ways


Most of those Midsummer magic tricks that were done in order to see one's future spouse were meant for young women looking for a fiancé, and described in the "long Midsummer post" of 2015 linked above.
In the name of equality, here are a few old tricks for young men looking for a bride.

On a Midsummer Eve's night:
* Climb on the roof of a house that has been moved to a new location three times. Sit astride on the roof ridge and wait until you see the image of your future bride. Different sounds will also tell the future:
music predicts a wedding, baby's crying means children, and the sound of a hammer hitting nails indicates a coffin or a funeral.
* Go to a lakeside or a river, and sit on a stone that is surrounded by water from all sides. If you are patient you will see the "ghost" of your wife-to-be.
* Move along the bottoms of ditches until you reach a rye field. On the rye field you will see the spirit image of the one you will marry.

Naturally all of the above are most effective when carried out in the nude.



Some more magic that was not included in the previous Midsummer posts:
  • When you go to a swamp on Midsummer's Eve night and sit by some puddle of the dark bog water, so that your feet are there up to your knees, and wait in silence, a swamp spirit will appear and give you some good advice. (Similar to the treasure-guarding spirit mentioned in the long Midsummer post - see "Will-o'-the-wisps" there.)
  • When the cuckoo calls on Midsummer's Eve, you can "invite" money to come to you by tinkling some coins in your pocket.
  • As the year turned, some seeds from every sowing and planting were collected into a small pouch. When this pouch was thrown into the Midsummer bonfire to burn late at night it guaranteed a good harvest luck for the rest of the year.
  • A neighbor's cattle luck could be stolen by gathering a few good straws of hay from their meadow and, when your cow calved, giving that hay for the calf to eat.
  • If you bathe in three natural springs at Midsummer, you will not feel cold in winter.
  • Cabbage and turnip were planted on Midsummer, and they grew well if the hostess of the house walked around them three times, naked, backwards, in the clockwise direction. (More about the significance of clockwise & counterclockwise in some future post about magic.)
  • Ladies who put a coin in their left shoe improved their chances of finding a rich husband. The more valuable the coin, the richer the husband would be.
  • Love magic: If a leaf from your birch whisk gets stuck on your wet skin in the Midsummer sauna, take the leaf and let it dry completely, then grind it into powder. Hide the powder in some food or drink and offer it to the one you want, and that person will fall for you.
  • A faster way to get the same effect, if you know that your intended will bathe in the same sauna after you: save some of your bathing water and put it ready for him/her in the pail to use as löylyvesi (i.e. the water that is thrown to the heated sauna stones to produce steam). When the person throws your bathing water to the hot stove, they will become attracted to you.
  • But if you wanted to make sure you would remain a virgin for some time yet, use a sauna whisk made of willow, instead of birch.
  • If you have several good candidates for dating and marriage, visit each of their yards on Midsummer's Eve night and pick a flower (it does not matter if they are different species, but wild flowers work better than cultivated ones). Put them in a vase with water, and the one whose yard gave you the flower that stays fresh the longest is the right one for you.
  • A woman can "rouse her lempi", i.e. increase her love luck & sexual charms, by jumping through the smoke rising from a Midsummer bonfire that is dying out.
  • Make a fishing rod on Midsummer and it will always catch plenty of fish.
  • A garland of lilies-of-the-valley will act as magical protection for any magic-maker on Midsummer.



Some clever folks have mused over the traditional Midsummer magic practices - like looking into a well naked to see an image of your future spouse reflected on the water, or throwing the sauna whisk (vihta)
on the sauna's roof to predict the location of a future suitor (see the long Midsummer post) - and come up with modern "versions" Tongue such as these... (sources in Finnish here and here):
- If you walk around the well on Midsummer's Eve in counter-clockwise direction nine times, then look into the well and see your husband there, then he has drowned, dammit.
- Collect 9 different hays and grasses on a Midsummer's Night and put then under your pillow and between your knees. If you wake up with a headache, stuffy nose or a rash, you have allergies.
- Collect 13 different flowers on Midsummer's Eve, and the next day you can start making a herbarium.
- If on a Midsummer's Eve you act like an idiot, throw up in bed, kick a dog and relieve yourself in a campfire, you can see your future ex in the far horizon.
- If you row a boat while drunk on Midsummer's Eve and stand up in the middle of the lake, you may see your future widow on the beach.
- Run around by the roadside naked on a Midsummer's Eve, and sooner or later a nice police officer will appear to take care of you.
- In the city, run naked from one restaurant's terrace to the other, and the following day you will see a video of yourself on Youtube.
- If a young maiden puts a bottle of liquor or a sixpack of beer under her pillow on a Midsummer's Night, she will wake up next to a man with a hangover.
- If you lose your wallet, jewellery, phone, iPod, purse, motorcycle or a car on Midsummer's Eve, you will have extra expenses for the rest of the year.
- When after bathing in the juhannus sauna you throw the whisk on the sauna's roof, you will surely wonder if that made any sense whatsoever.
- If you pass nine intersections on a Midsummer's Night and still have no idea where you are going, you can finally call a cab.
- When making Midsummer magic, if you suddenly realize you are not yet naked, it is not too late to amend the situation.
- If you turn your socks inside out and put them on when going to sleep on a Midsummer's Night, the next morning when waking up on the marketplace you will wish you had put on something else as well.


A brief "Midsummer greeting from Finland" video by SuomiFinland100

Some simple & traditional "Finnish Midsummer Night's Recipes"

A British-born writer, now living in Finland, describes his views of juhannus in this article ...
For example:

Quote
The Finnish summer usually arrives late and leaves early, yet for those fleeting days (or moments) it woos you as passionately as a new lover. And let’s face it, living in a country that for months on end
makes Tolkien’s Mordor of Lord of the Rings fame seem like a tempting holiday destination, you deserve to be wooed.

Ahem... Excuse me?!? ShockedMadCoolLaugh
Well, maybe he has a point... But clearly he has not realized that Midsummer in Finland is "mid" only in the sense of measuring the time (seasons). Weather-wise it's often only the beginning! Tongue

Quote
There could be a blizzard and the sun might not have been seen for months, but you’ll still find the entire Finnish nation encamped in the forest with bonfires and beers.

Naturally. (Or at lakefronts.) It's Midsummer's Eve. Cool

Have a great Midsummer, everyone!



1) photo source , 2) photo by A. Kuittinen



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Otaku-sempai
Immortal


Jun 23 2017, 2:39pm

Post #5 of 27 (4847 views)
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Magic and Nature [In reply to] Can't Post


In Reply To
Today is Midsummer's Eve, and tomorrow the "Old Juhannus", 24th June. The night between 24th and 25th has traditionally been called taikayö, "magic night", and it's one of the best times of the year to make magic as nature's powers are at their strongest.


Personally, I would say that Nature would not give a fig about our calendar conventions and that the day of the actual summer solstice would be superior to any tradition feast day for the purpose of performing magic. Nature takes no notice of our preconceptions or opinions.

Many of those spells and superstitions that you recount are very interesting; thank you for sharing them!

"He who lies artistically, treads closer to the truth than ever he knows." -- Favorite proverb of the wizard Ningauble of the Seven Eyes

(This post was edited by Otaku-sempai on Jun 23 2017, 2:44pm)


Ilmatar
Rohan


Jun 23 2017, 3:10pm

Post #6 of 27 (4834 views)
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Indeed you are right [In reply to] Can't Post

Hi Otaku-sempai, thank you for your interest Smile - and as far as this goes:


Quote
Personally, I would say that Nature would not give a fig about our calendar conventions and that the day of the actual summer solstice would be superior to any tradition feast day for the purpose of performing magic.


I agree. And regarding the summer solstice, so did the Finns of old, as mentioned in the long Midsummer post (quoting myself a bit, with emphasis added):


Quote

In the pagan times - possibly already in the ancient past of the Iron Age, when the stories of Kalevala first began to take form - our ancestors celebrated the supreme god Ukko at the time of the summer solstice, in order to ensure fertility and good harvest, because Ukko controlled the rains and weather. As the sun never set, it's also possible that the celebrations were connected to sun worship. Food and drink was sacrificed to Ukko and consumed in large quantities; the more you drank (especially if you were the master of a house), the better the coming harvest. Alcohol was offered to those in the afterlife by dipping three fingers of the left hand and then sprinkling it behind your back over your left shoulder. People could pray for rain by wading into water and throwing water into the air. Originally this was called vakkajuhla or Ukon juhla, "Ukko's celebration." In the Middle Ages when Christianity took over the pagan practices, the date was set as the 24th of June and the holiday was given the name juhannus, after John the Baptist (Johannes Kastaja in Finnish).


It's logical that the celebration originally took place on summer solstice, as did some similar festivals of many other pagan religions. But as can be seen in most "interludes" (those already made and those yet to come), Christianity had a tendency to mix things up and move dates around. Because people had to accept the new faith, they found ways to work with it and around it, probably believing that the old gods and spirits would understand and be amenable to transferring the "magic night" to a nearby date.

(These ancient Finns have raised a few tankards in honor of Ukko and can expect a good harvest. Tongue)




dernwyn
Forum Admin / Moderator


Jun 23 2017, 5:00pm

Post #7 of 27 (4829 views)
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Fascinating. [In reply to] Can't Post

These moments in the sun-cycles - solstices and equinoxes - would have been so mysterious to the ancient peoples, but even today there's still something "magical" about them.

I'd been taking a look once again at Stonehenge during its special day, and thinking of all the cairns and other structures built to mark these days. I've forgotten if you've mentioned it before, are there henges in Finland?

All these traditions! These brought to my mind Loreena McKennitt's Mummers' Dance, where the singers bring the sprigs to the houses. And the rowan decorations remind me of Tolkien (of course!).

I should mention more frequently, thank you for posting these for us, they're very illuminating! Cool


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"I desired dragons with a profound desire"


Ilmatar
Rohan


Jun 24 2017, 1:06pm

Post #8 of 27 (4805 views)
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Thank you! [In reply to] Can't Post

I'm happy that you like the posts Smile and many more are coming! I just need to remind myself to keep up with the actual Kalevala posts as well. Blush Interludes are somehow easier to write, even when having a number of sources to go through.

Thank you for mentioning Mummers' Dance, it's been ages since I last listened to it but just watched the video now. It's a beautiful song. Rowan was a sacred tree in the old Finnish faith, and I will write more about it in some "tree post". Young rowans by our fence and in the little "forest corner" were in bloom just before Midsummer.

There are no henges here - the word reminds me of the British Isles, but I don't know if they exist elsewhere in Europe as well. We do have some stone structures from ancient times, but as far as I know they were not used to tell the solstices or equinoxes. In Finland there are wide stone cairns that were built on burial sites in the stone age, bronze age and iron age; separate monoliths (with varying theories regarding their meaning); some piles of stone "altars" used for sacrifices (in addition to the more common cup stones); circles of chair-sized stones on hilltops that were used for sitting in gatherings and trials already before Christianity's arrival; prehistorical devices used for voice signaling, made of one large stone slab on top of a smaller stone so that it could be rocked to produce a rumbling sound (sometimes built in a series to transfer a message for long distances); and more or less spiral-shaped labyrinths made of stones, believed to have been made by giants (example below).

I had a very nice Midsummer encounter yesterday while we were on our way to the bonfires, driving on a winding forest road. We turned a bend, and suddenly a little way ahead there was a dark, chocolate brown female moose with her two light brown calves! Of course I did not have my camera on hand and could not take a photo while they (quite casually) turned away and moved into the forest. It was a lovely sight Heart and so close.




(This post was edited by Ilmatar on Jun 24 2017, 1:09pm)


zarabia
Tol Eressea


Jun 25 2017, 7:46am

Post #9 of 27 (4775 views)
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As always... [In reply to] Can't Post

I marvel at your passion! Thanks for sharing. Smile






Ilmatar
Rohan


Jun 25 2017, 9:22am

Post #10 of 27 (4769 views)
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You are most welcome :) [In reply to] Can't Post

And I thank you for your interest in my sporadic threads!

I guess it is a passion. Cool I have always been interested in nature, mythology, the fantasy genre, history and the visual arts. All of those combine here, with the lucky coincidence that Tolkien himself admired the Finnish language and appreciated the Kalevala, and I was happy to see that there are others on the board who share my interests. Actually I had never read the epic all the way through, and had almost completely forgotten about these themes (the Kalevala, Finnish myths etc.) - and was utterly unaware of the depth and diversity of the old Finnish faith and beliefs - until a friend here rekindled my interest over two years ago (see the first post of the first Kalevala thread). I have been reading through a lot since then, and will keep going, even if it takes some months in between threads.

Thank you for commenting & reading Smile

Tongue


dernwyn
Forum Admin / Moderator


Jun 25 2017, 6:17pm

Post #11 of 27 (4753 views)
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Paging Aunt Dora! [In reply to] Can't Post

Labyrinths that are untouched over the ages! I was just searching for some information about these, apparently there's 50 or so in the coastal areas, walked by locals for good luck, or to "trap" evil things. I'll have to look into this further. Thank you for the photo!

Voice signaling? That sounds like an early form of wireless Morse code transmission! Fascinating!

Heh, I am very glad you were able to stop in front of the moose mama and kids. We have moose in the forests in our area, and it's general knowledge that if your car accidentally hits a moose, your car will not survive, and the moose will walk away. Tongue


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"I desired dragons with a profound desire"


zarabia
Tol Eressea


Jun 26 2017, 1:57am

Post #12 of 27 (4733 views)
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"I love summer in Finland. Last year it was on a Tuesday" :D :D // [In reply to] Can't Post

 






Ilmatar
Rohan


Jun 26 2017, 12:21pm

Post #13 of 27 (4726 views)
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I can get back to labyrinths [In reply to] Can't Post

...When I have a bit more time. Smile They are quite small in reality, and follow the same simple pattern, but are surprisingly well preserved in many cases. They are called jatulintarha in Finnish, after the "jatulit" who supposedly built them. They were one tribe of giants who disappeared into the far North a long time ago... Maybe they could come up in a "giants post" later.

In addition to voice signaling with rocks, Finns also used to light signal fires on high hilltops to warn other villages of marauding Vikings, etc. (like many other peoples may have done as well). Just like lighting the beacons of Gondor in LotR (one of my favorite scenes Heart in the movies), except that there were no constant guards here ready in wait. Someone who was quick with their feet just ran up the hill to light the fire, and other hilltops followed suit while people took their cows and ran into their hidden cabins deep in the forest (on in even more distant past, inside hilltop fortifications).

In hirvikolari ("moose collision") cases here, I'm afraid that the moose are as likely to get hurt as people. Many other animals cross that road as well, and I try to be careful whenever I drive. It still bothers me that I did not have the camera ready! CrazyTongue


Ilmatar
Rohan


Jun 26 2017, 12:25pm

Post #14 of 27 (4721 views)
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Yeah... [In reply to] Can't Post

There are a number of memes and even cartoons about how short the Finnish summer is. But I would say it's more like 2-3 months, June-July-August. Whether it happens to be warm and sunny, or cold and rainy (or warm and rainy), in any given year, is another question... Usually we get an uneven mixture of both. Tongue

Here is Canada enjoying the Finnish summer... Poor Lapland has its very own summer weathers in some years, but I guess they are used to it... (The date is 9th of June. They are marked in the day.month.year format.)




To be fair, sometime it does look like those sunny photos in the Midsummer post. Sometimes, not so much. Smile


(This post was edited by Ilmatar on Jun 26 2017, 12:39pm)
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zarabia
Tol Eressea


Jun 27 2017, 2:16am

Post #15 of 27 (4665 views)
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What struck me... [In reply to] Can't Post

I don't know how many degrees south of Finland Poland is, but it is considerably farther north than where I live in Oklahoma. What struck me was how early the sun set in winter, around 3:30 - 4:00 pm, and how early it rose in the summer, around 3:00 a.m. Shocked It's hard for me to imagine such long nights in winter and long days in summer there in Finland. Summer light must be so energizing, but it must also be difficult to settle down to sleep.
Cool But I guess it's what you are used to. Smile






Ilmatar
Rohan


Jun 27 2017, 7:42pm

Post #16 of 27 (4648 views)
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Sounds familiar [In reply to] Can't Post

What you said about the sun's setting & rising times for Poland sounds pretty much the same as here - except that the sun just dips under the horizon for an hour or two in midsummer - but then I'm in the southern Finland, and the distance from here to northern Finland is the same as from here to northern Poland. (Even though Estonia, Latvia and Lithuania are in between - Finland is a "long" country, on the European scale.) The point I'm trying to make Tongue is that it seems as if the light hours where I live are very much the same as what you describe for Poland, despite the difference in latitude. But the northernmost parts of Lapland are a different story, with their 70+ days and nights of constant light in midsummer (nighttime timelapse photo below), and their 50+ days without any sun (kaamos, polar night) in midwinter.

Sunlight in summer is energizing, even on cloudy days - and the lack of sunlight in winter is tiresome, even for most of us who don't have seasonal affective disorder. And yes, I'm used to light nights Smile but still need my sleep mask all summer long. Some people can sleep in full sunlight without one. Shocked




zarabia
Tol Eressea


Jun 28 2017, 3:47pm

Post #17 of 27 (4605 views)
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SAD must be a real problem [In reply to] Can't Post

I don't think I suffered from SAD while in Poland, but the lack of light, rather than the cold, took its toll. I still loved my time there and wouldn't hesitate to return if I ever had the chance.

But I can now certainly understand the importance of winter solstice celebrations in far northern latitudes. The Christmas decorations that remained up in Poland though the middle of January really helped keep things cheery.
Smile






(This post was edited by zarabia on Jun 28 2017, 3:47pm)


Ilmatar
Rohan


Jun 28 2017, 7:46pm

Post #18 of 27 (4592 views)
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Maybe surprisingly - not really [In reply to] Can't Post

As far as I know, darkness is not a major reason for depression here, but after your post I went to check some statistics. Apparently 1% of the population suffers from severe SAD, while 20% of women and 12% of men have some mild symptoms (such as getting sleepy or craving more carbohydrates than usual). It may well be that people who have lived in this kind of climate for thousands of years have adapted to temporary lack of light, maybe genetically - this is just my own theory and I don't know if it's true, but it's a possibility. Personally I love winter's darkness as much as summer's brightness. Especially now that we live in the countryside and I can see the Milky Way in winter again Heart (like I did in my countryside childhood), I would not change the light of stars and the moon to the light pollution of cities. But then again my brother has the same genes & the same childhood circumstances, and could not imagine living anywhere where it's as dark and silent in winter as where we live. Some people need more light and in Finland it's wise for them to live in cities if possible, because winter's darkness is DARK Cool - as dark as winters must be in sparsely populated areas of Canada, I imagine - especially in our southern coast that has hardly any snow.

I'm not sure if I already posted this on the board last year, but since it fits the post (if not the season)... Tongue
Cities often look like this at night for half a year, if there is no snow (or proper outside lighting, it seems):



Speaking of Poland, I once visited Kraków in December and weather-wise felt very much at home. The darkness was the same, and the biting cold wind as freezing as any in Finland, with snowflakes swirling in the air.
I loved my time there as well (mostly for reasons other than weather, although the weather was fine) and would definitely visit again, winter or summer. Smile


(This post was edited by Ilmatar on Jun 28 2017, 7:47pm)


dernwyn
Forum Admin / Moderator


Jun 29 2017, 1:45am

Post #19 of 27 (4584 views)
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Signal fires are as old as the hills [In reply to] Can't Post

LOL, of course, since one needs a hill for one! There's a hill near me called Lantern Hill from which one can see far out into Long Island Sound; it's said that during the War of 1812 this is where locals had set barrels of tar and kept watch, and when a British fleet was sighted nearing the port they were set on fire to warn the townsfolk, who were then able to arm themselves in time and shoot canon at the ships when they were within range, and the fleet turned and did not attack.

I'd love to hear what the signaling rocks sound like.

Giants disappearing into the North...sort of like Tolkien's Trolls!


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"I desired dragons with a profound desire"


Ilmatar
Rohan


Jun 29 2017, 10:07pm

Post #20 of 27 (4569 views)
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How cool that you live near a "signal fire hill"! [In reply to] Can't Post

For the lack of a better term. They must have been used all over the world for a long time. I don't think there are any nearby here, but then I don't live on the coast where they would more likely to be found, especially those used in warning about the enemy approaching from the sea. Thanks for sharing that piece of your local history. Smile

I tried to find a video with the sound of the signaling rock, hoping someone might have put it on Youtube or somewhere, but had no luck. I have never heard one either. But I found some photos - looks like the stones' size varied quite a lot (unfortunately photos of the the bigger stones always had a person close to the camera so I left them out), and in one photo below someone is "playing" the rock and making the sound. In Finnish the signaling rocks are called jylkynkivet (from jylinä, "rumble") - "rumbling rocks". Another site verified that they were often used in a series, and were in use as late as in the early 1700s. In calm weather the sound could be heard from 10 kilometers (6 miles) away.

Quote

Giants disappearing into the North...sort of like Tolkien's Trolls!


Oh, Finnish trolls went North as well Smile - at least those who used to live in the Ostrobothnia region... I found one old tale about why & how they left, and will put it in some "trolls post". But it seems like the jatuli giants left much earlier, probably before the Middles Ages (which explains why so little is known about them!), while trolls went sometimes between the late 1600s and early 1700s. Although some claim that not all of them left... Tongue


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Ilmatar
Rohan


Jun 29 2017, 10:59pm

Post #21 of 27 (4564 views)
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Kullervo's Tale: From Harsh and Cruel Beginnings [In reply to] Can't Post



The poem of Kullervo begins with poetic and mythic, elusive turn of events, where chickens and swans raised by an "ancient mother" are caught and carried away by birds of prey, but grown into men.
"In the ancient times a mother Hatched and raised some swans and chickens, Placed the chickens in the brushwood, Placed her swans upon the river; Came an eagle, hawk, and falcon, Scattered
all her swans and chickens..." The bird that was carried to Russia became a merchant; the one that was taken to Karelia ("Karyala") grew up to the man Kalervo; and the one that stayed at "home",
wherever that was, turned into Untamo. The avian origins or mysterious metamorphoses of the brothers are not given any more thought; it seems likely that the first verses of the poem symbolically
described a family driven apart by warfare or some other hardship.

***

He that hid away in Pohya [in original: at home]
Took the name of Untamoinen,
Flourished to his father's sorrow,
To the heart-pain of his mother.

Two of these men grew ever more quarrelsome and jealous of each other, until their hatred could not be contained:

Untamoinen sets his fish-nets
In the waters of Kalervo;
Kalerwoinen sees the fish-nets,
Takes the fish home in his basket.
Then Untamo, evil-minded,
Angry grew and sighed for vengeance,
Clutched his fingers for the combat,
Bared his mighty arms for battle,
For the stealing of his salmon,
For the robbing of his fish-nets.
Long they battled, fierce the struggle,
Neither one could prove the victor;
Should one beat the other fiercely,
He himself was fiercely beaten.


Some time later Kalervo sowed oat behind Untamo's house; but Untamo's fine ewe ate Kalervo's oat crop. Kalervo's angry hound, in turn,
mauled Untamo's ewe. Untamo was enraged and swore vengeance:

Then Untamo sorely threatened
To annihilate the people
Of his brother, Kalerwoinen,
To exterminate his tribe-folk,
To destroy the young and aged,
To out-root his race and kingdom;
Conjures men with broadswords girded,
For the war he fashions heroes,
Fashions youth with spears adjusted,
Bearing axes on their shoulders,
Conjures thus a mighty army,
Hastens to begin a battle,
Bring a war upon his brother.


Kalervo's beautiful daughter-in-law (?*) looked out the window and, seeing a cloud approaching, wondered if it was smoke or a dark cloud;
but it was dust, raised by the fierce war party of Untamo.

Warriors of Untamoinen
Came equipped with spears and arrows,
Killed the people of Kalervo,
Slew his tribe and all his kindred,
Burned to ashes many dwellings,
Levelled many courts and cabins...



(art by Nicolai Kochergin: 1) Victorious Untamo, 2) probably an interpretation where the baby Kullervo has survived, instead of his pregnant mother)


One woman, the sole survivor - Kalervo's wife *) - with her unborn child was taken captive. She came to live in Untamo's halls, there to sweep the floors and clean the rooms. After some time
had passed she gave birth to a boy child whom she called Kullervo; "Pearl of Combat," said Untamo of his nephew. The baby was put in a cradle and there he was rocked a day, a second -
until on the third day, he kicked around and bounced upright, tearing away his swaddling garments, crawling on top of his covers and finally breaking down the cradle. People were pleased that
the infant was so strong and bound to become a capable man. The whole house of Untamola waited for him to grow into a strong and skilled slave for them. Kullervo, quick of mind beyond his age,
had other plans - but he was not yet sufficiently wise to keep them to himself:

When three months the boy had thriven,
He began to speak as follows:

"When my form is full of stature,
When these arms grow strong and hardy,
Then will I avenge the murder
Of Kalervo and his people!"
Untamoinen hears the saying,
Speaks these words to those about him;
"To my tribe he brings destruction,
In him grows a new Kalervo!"
Then the heroes well considered,
And the women gave their counsel,
How to kill the magic infant,
That their tribe may live in safety.

Untamo and his people placed the baby inside a halved barrel and pushed it to the waters of the sea. After three nights had passed did they go and see whether the child had perished and drowned.
But the child had left his barrel, growing taller by the hour: "Sat in triumph on a billow, In his hand a rod of copper, On the rod a golden fish-line, Fishing for the silver whiting."



1) "Kullervo tears his swaddlings", statue by Carl Eneas Sjöstrand (1858), in National Gallery 2) art by Björn Landström

Untamo again considered the most effective ways to destroy the child, then told his people to gather tall and many-branched birch-trees, pine-trees full of pitch and resin, and make them into a pyre.
The fire was lit, flames were rising, and in the middle the boy was set down. The fire burned bright a day, and another, but on the third day Kullervo was found sitting among the embers, collecting them
with a hook, and not a hair on his head was burned. Untamo, never remorseful, soon discovered new ways of murder. Kullervo was hanged on the branches of an oak tree. After three days and nights
Untamo sent a messenger to see if the young boy had finally died:

"Young Kullervo has not perished,
Has not died among the branches
Of the oak-tree where we hung him.
In the oak he maketh pictures
With a wand between his fingers;
Pictures hang from all the branches,
Carved and painted by Kullervo;
And the heroes, thick as acorns,
With their swords and spears adjusted,
Fill the branches of the oak-tree,
Every leaf becomes a soldier."



1-2) art by Boris R Akbulatov - larger here and here 3) art by Väinö Blomstedt (1897) 4-5) poster that was later used as a record cover ("Kullervo, Op. 7" by Jean Sibelius, as performed by the Helsinki University Choir and Lahti Symphony Orchestra)

Untamo, finally discouraged, thought the boy impossible to kill and grew weary of finding new means of destruction. He allowed Kullervo to live in the house of Untamola, as long as he would do as
he was told and worked for his food. "Shouldst thou render servant's duty, Then thou wilt receive thy wages, Reaping whatsoe'er thou sowest; Thou canst wear the golden girdle, Or endure the tongue
of censure." Some time passed, Kullervo grew taller, and then once was told to look after a small child, to feed the child and himself, to wash the child's clothes in the river. One day passed, then another
- on the third day Kullervo "Gives the infant cruel treatment, Blinds its eyes and breaks its fingers; And when evening shadows gather, Kills the young child while it slumbers, Throws its body to the waters,
Breaks and burns the infant's cradle." Untamo swiftly put Kullervo to work of a different kind, thinking he would surely manage cutting trees for the slash-and-burn. Kullervo, sure of himself, thought he
would be worthy of five other men - as soon as he had an axe; so he went to the blacksmith and had one made. He walked to the far forest, and like a storm he cut down five trees, eight trees, not caring
if they were dry or growing, birch or pines; until he was overcome by anger, ceased working and swore for Lempo [see "Notes"] and Hiisi to carry out the cutting. Letting down his axe, Kullervo shouted out
his rage and cursed the land:

"May the forest, in the circle
here my voice rings, fall and perish,
In the earth be lost forever!
May no tree remain unlevelled,
May no saplings grow in spring-time,
Never while the moonlight glimmers,
Where Kullervo's voice has echoed,
Where the forest hears my calling;
Where the ground with seed is planted,
And the grain shall sprout and flourish,
May it never come to ripeness,
Mar the ears of corn be blasted!"
**)

Untamo, when viewing Kullervo's work, found that he had accomplished little and wasted the best timber; he was not fit for slash-and-burn. Thinking of a new task to give him, Untamo set the young man
making fences. Kullervo cut down the tallest of pines and oldest of spruce for poles, and used the grandest of rowans for withes; building a wide and mighty fence, he left no opening for a passage, no room
for a gate. Once more Untamo inspected: "For this work he is not fitted, Useless is the fence thus builded; Is so high that none can cross it, And there is no passage through it: He shall thresh the rye and
barley." Kullervo, not knowing better nor caring, threshed the rye until the grains were fine like dust and powder.

Untamoinen then grew angry,
Spake these words in bitter accents:
"Kullerwoinen as a workman
Is a miserable failure;
Whatsoever work he touches
Is but ruined by his witchcraft;
#)
I shall carry him to Ehstland,
In Karyala I shall sell him
To the blacksmith, Ilmarinen,
There to swing the heavy hammer."


Untamo, frustrated by the uselessness of his worker, sold Kullervo to the blacksmith Ilmarinen; in payment he received two old cauldrons, three halves of hooks, five worn-out scythes and six broken hoes -
in fair exchange for a worthless man, for an incompetent slave.


*********

Notes


The story of Kullervo has been described as a "terribly precise description on how to raise a terrorist."

*) The young woman's relationship to Kalervo is unclear in the poem. Crawford's translation claims her to be Kalervo's daughter, but Finnish sources interpret her to be either Kalervo's wife, or a service maid with whom Kalervo had sired a child. This seems the most likely conclusion also for the tale's dramatic emphasis: Kullervo was Kalervo's son, Untamo's own nephew.

For some reason Crawford has felt the need to name Kullervo's mother, and in the translated poems calls her "Untamala". This seems like a weird choice, considering that Crawford interpreted her to be Kalervo's daughter. Why would Kalervo have named his daughter after his own brother whom he despised? If the woman was Kalervo's wife, as Finnish sources suggest, the name would be even more strange - that Kalervo would have met, and chosen as his wife, a woman whose name was almost identical to that of his brother.

Finally, in Finnish any names that end -la are not personal names, they are place names (Kalevala, Pohjola, Manala/Tuonela...). "Untamala" sounds like a village, not a human being - indeed, more logically, the home of Untamo is called Untamola in the poems! Looks like Crawford has confused the name of the house with Kullervo's mother. This is made evident in the lines where, according to Crawford, "his mother Untamala" waited for Kullervo to grow into "a great magician" when, in reality, the house of Untamola waited for him to grow into a hard-working slave.

In addition, Crawford has decorated the story some more by attaching magical and supernatural elements to the birth of Kullervo that are not present in the original - claiming the child to be a "magic infant" and born of a virgin:
Time had gone but little distance,
Ere a boy was born in magic
Of the virgin, Untamala,
Of a mother, trouble-laden,
Him the mother named Kullervo,
"Pearl of Combat," said Untamo.
Then they laid the child of wonder,
Fatherless, the magic infant,
In the cradle of attention, ...

Kullervo was not an ordinary child, as the poems makes clear, but he was not called "magical" in the original, nor was it a virgin birth, and he was outright called Kullervo, Kalervon poika = "Kullervo, Kalervo's son" on one line.
I don't know why Crawford made these changes into the details and ignored Kullervo's parentage; maybe he felt that Kullervo's childhood was not remarkable enough without some added magic..

**) A minor piece of useless trivia: There would be no corn, or even awareness of the existence of corm, in the Nordic countries for centuries yet - the original poem mentions grain crops.

#) Crawford has spiced up the poem with this mention of witchcraft, and also when calling the boy a "magician" on one line and a "wizard" on another. In the original poem there are no references to witchcraft or wizardry of any kind; Kullervo grew up "mythically fast" and strong, but he was a man, not a sage or a magic-maker.


(This post was edited by dernwyn on Jun 30 2017, 11:32am)
Attachments: Riimusudet_korpi1 (Custom).jpg (45.3 KB)
  nicolai kochergin_kalevala_12_ilmarinen takes kullervo into his house_02_med (Custom).jpg (47.7 KB)
  nicolai kochergin_kalevala_12_ilmarinen takes kullervo into his house_01 (Custom).jpg (44.4 KB)
  Björn Landström - kullervo lapsena (Custom).jpg (36.2 KB)
  patsas (Custom).jpg (23.8 KB)
  95810461_1067597_111664 (Custom).jpg (46.1 KB)
  by Boris R Akbulatov_ (Custom).jpg (46.4 KB)
  väinö blomstedt - kullervo kaivertaa tammen runkoon_ (Custom).jpg (39.0 KB)


dernwyn
Forum Admin / Moderator


Jul 4 2017, 12:44pm

Post #22 of 27 (4480 views)
Shortcut
That's how it's done? [In reply to] Can't Post

By standing atop, and rocking the stone? That intrigued me, so I did some more searching, and although I wasn't able to find that kind of setup in particular, I did come across these:

https://www.youtube.com/watch?v=LalTHWgbA_o

https://www.youtube.com/watch?v=fBiVt1pKnAQ

I'm guessing that the grinding of one rock against the other, then, if they're the right kind of rocks, would generate the same effect as when I take a wooden dowel and slowly run it around the outside of the rim of my low bell (low C or D - I'm in a handbell choir, and sometime have to "sing" the bell).

So one would rock the larger stone to get the vibration started. Amazing!


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"I desired dragons with a profound desire"


zarabia
Tol Eressea


Jul 4 2017, 5:45pm

Post #23 of 27 (4466 views)
Shortcut
More awesomeness (okay, not a proper word, but it fits :) ) [In reply to] Can't Post

Thanks for continuing with this thread! Smile






Ilmatar
Rohan


Jul 5 2017, 8:24pm

Post #24 of 27 (4445 views)
Shortcut
Yes, I guess standing atop the stone was the usual way [In reply to] Can't Post

...Especially since many of the photos I saw (those with a person in close-up, posing with the stone) showed larger stones than the ones I put in the post. It seems to me that the top stone would be far too heavy to be moved in any other way except standing on top and rocking it with your feet.

Thank you for the video links! Smile I never knew that stones could produce such clear and echoing sounds, like bells. I'm quite sure that the signaling rocks over here do not sound as much like musical instruments, but produce a harsher, rumbling sound. If I ever happen to find any "rumbling rocks" I will give them a try and report in these threads. Tongue


Ilmatar
Rohan


Jul 5 2017, 8:25pm

Post #25 of 27 (4441 views)
Shortcut
Thank you so much! :) More coming right up! // [In reply to] Can't Post

 

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