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JWPlatt
Hithlum
Apr 26 2012, 9:32pm
Post #26 of 31
(12172 views)
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Yes, that's exactly what I am understanding here. But what the camera is trying to provide as flat, they are defeating by putting the "pop" back artificially through on-set saturated colors and makeup for filming. What you are saying seems to be in conflict with what they are doing.
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Chopsta123
Mithlond
Apr 26 2012, 10:24pm
Post #27 of 31
(12164 views)
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flat does not mean without color
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Can't Post
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you want a more saturated set => always easier to take away color than subtract it
but a flat contrast means there is no loss of detail in the highlight and shadows so you have leverage in post.
seems like they try to leave the most options open.
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There&ThereAgain
Nargothrond
Apr 27 2012, 1:32am
Post #28 of 31
(12061 views)
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color correction is everything these days
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Can't Post
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It's going to be beautiful.
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Chopsta123
Mithlond
Apr 27 2012, 7:02am
Post #29 of 31
(12062 views)
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i meant always "easier to take away color than add color"
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Owain
Dor-Lomin
Apr 27 2012, 1:59pm
Post #30 of 31
(11972 views)
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The idea is to create the widest latitude possible at exposure/capture.... wether it's on a film negative or a CMOS Digital RAW Bayer pattern sensor.
It's interesting to note that they are not SUPER saturating every single color/texture/detail of every frame of every scene.
There is a certain aesthetic that they are looking for. (There won't be neon colors in The Hobbit).
By super or over saturating elements of a shot they can control those differently from other areas in the same shot.
Bottom line... it's about have pinpoint control on every level over virtually every detail.
Middle Earth is New Zealand!
"Question everything, embrace the bad, and hold on to the good."
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Chopsta123
Mithlond
Apr 27 2012, 5:24pm
Post #31 of 31
(12137 views)
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thats what I meant
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