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Elwing and Eärendil and the “Living Light” of Love

Voronwë_the_Faithful
Doriath

Apr 23, 6:41pm

Post #1 of 11 (145 views)
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Elwing and Eärendil and the “Living Light” of Love Can't Post

Some will recall my ruminations some months ago about the line "The Silmaril was bound upon his brow" from The Silmarillion. My resulting paper has just been published by Mythlore. My thoughts really morphed in the course of writing the paper. I'd love to hear what folks think.

“The Silmaril was Bound Upon His Brow”: Elwing and Eärendil and the “Living Light” of Love

'But very bright were the stars upon the margin of the world, when at times the clouds about the West were drawn aside.'

The Hall of Fire


Ardamírë
Doriath


Apr 23, 7:44pm

Post #2 of 11 (136 views)
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Can’t wait to read this! // [In reply to] Can't Post

 

"Behold! the hope of Elvenland,
the fire of Fëanor, Light of Morn
before the sun and moon were born,
thus out of bondage came at last,
from iron to mortal hand it passed."
-The Lay of Leithian


Voronwë_the_Faithful
Doriath

Apr 23, 9:24pm

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I hope you like it! // [In reply to] Can't Post

 

'But very bright were the stars upon the margin of the world, when at times the clouds about the West were drawn aside.'

The Hall of Fire


Ataahua
Forum Admin / Moderator


Apr 24, 2:07am

Post #4 of 11 (121 views)
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Congratulations! [In reply to] Can't Post

Well done on getting published again! Smile

Celebrimbor: "Pretty rings..."
Dwarves: "Pretty rings..."
Men: "Pretty rings..."
Sauron: "Mine's better."

"Ah, how ironic, the addictive qualities of Sauron’s master weapon led to its own destruction. Which just goes to show, kids - if you want two small and noble souls to succeed on a mission of dire importance... send an evil-minded beggar with them too." - Gandalf's Diaries, final par, by Ufthak.


Fantasy novel - The Arcanist's Tattoo

My LOTR fan-fiction


Voronwë_the_Faithful
Doriath

Apr 24, 4:03am

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Thank you! [In reply to] Can't Post

The discussion we had here was very helpful in focusing my thoughts, though they ended up going in a different direction.

'But very bright were the stars upon the margin of the world, when at times the clouds about the West were drawn aside.'

The Hall of Fire


CuriousG
Gondolin


Tue, 8:22pm

Post #6 of 11 (28 views)
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From "soaring into the sky to meet absent husband with joy" to...Aldarion and Erendis?? [In reply to] Can't Post

Aldarion and Erendis was all I could think of when reading this passage from your paper:


Quote
However, in his biography, Carpenter also documents some of the ebbs and flows of their relationship. He describes Edith as being happiest when they lived a quieter life when Tolkien was teaching in Leeds, and less so when they returned to Oxford, while Tolkien himself flourished as an academic and author, and with his budding friendships with C.S. Lewis and the Inklings. Carpenter asserts that "Edith began to feel that she was being ignored by Ronald” and that while he "was very loving and considerate to her [..] she could see that one side of him only came alive when he was in the company of men of his own kind.”


In the case of Aldarion, I don't recall him having a best friend like CS Lewis, just that he felt most alive when he was at sea, all the sailing, exploring, adventuring in the company of men, while Erendis was left at home to raise their daughter and growing more bitter with every passing day. It's further kind of interesting in that creative people are notoriously challenging to live with (and yes, there are of course compensating factors), but Aldarion never struck me as creative, more that he was 1) restless and 2) needed foreign and physical travel to get in touch with his soul. But he's not painting, writing, sculpting, etc, and not palling around with other creatives like the Inklings.

Anyone else struck the same way, or have a different reaction?


Voronwë_the_Faithful
Doriath

Tue, 8:54pm

Post #7 of 11 (24 views)
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The key difference ... [In reply to] Can't Post

... is that the love of Aldarion and Erendis, if ever truly existed and was not merely a case of mutual infatuations, was unable to survive their separations and eventually devolved into genuine hostility. In contrast, it was Elwing's genuine love and willing sacrifice that allowed Eärendil to become the guiding light that was his destiny. Just as (arguably) it was Edith's enduring love and sacrifice that allowed Tolkien to become the great artist that we know and love.

True love endures, which is why “the spiral light of Venus, rising first and shining best" is a sign that there is light and beauty that is ever beyond the shadow's reach.

Thanks for taking the time to read the paper!

'But very bright were the stars upon the margin of the world, when at times the clouds about the West were drawn aside.'

The Hall of Fire


CuriousG
Gondolin


Tue, 11:13pm

Post #8 of 11 (27 views)
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Showing both sides of the same relationship coin? [In reply to] Can't Post

Aldarion and Erendis isn't my favorite story to re-read because it is such a downer, even though it's well-written and an interesting counterpoint to the many near-perfect romances in the legendarium, so I can't remember if their honeymoon period was just that, or if they ever had a real foundation of mutual love, or more of an obligation to love each other. I just remember an inexorable downward spiral.

So, to mesh art and real life, I wonder if Tolkien was taking two aspects of real-life relationships: 1) the lingering resentments that can happen (A&E), and also the transcendent experiences where you see the best in the other person and feel like they've brought out the best in you (Earendil and Elwing), and he took both tales and followed them to their conclusion: Elwing soaring, Erendis spiraling downward? That's what I think in accord with your statement here:


Quote
The passages about Elwing and Eärendil are not autobiographical per se, but they are strikingly depicted because an author's own life tends to be the one most available for close observation, and their own emotions are usually the easiest to mine, even (or perhaps particularly) when it is done without the author's own conscious volition.



Voronwë_the_Faithful
Doriath

1:48pm

Post #9 of 11 (11 views)
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You are in good company [In reply to] Can't Post

The anonymous referee who peer-reviewed the paper made a similar point about Aldarion and Erendis. I don't know who the referee is, but based on other comments made in their review, she or he is one of a very small select group of top Tolkien scholars.

That being said, I purposefully omitted any mention of "The Mariner's Wife" in my paper because I felt it would divert from the point that I was making (and the paper is more than long enough as it is).

'But very bright were the stars upon the margin of the world, when at times the clouds about the West were drawn aside.'

The Hall of Fire


CuriousG
Gondolin


4:59pm

Post #10 of 11 (9 views)
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Pandora's Box [In reply to] Can't Post

Certainly understandable that you didn't pursue every tangent--that's what the RR is for! And glad to know I wasn't alone in that connection.


CuriousG
Gondolin


6:15pm

Post #11 of 11 (6 views)
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How I resolve the nagging question of "Why did Elwing give it up so easily?" [In reply to] Can't Post

My starting point is here:


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Similarly, when the sons of Feanor demand the Silmaril from the community at the mouth of the Sirion, "Elwing and the folk of Sirion would not yield that jewel which Beren had won and Lúthien had worn, and for which Dior the Fair was slain; and least of all while Eärendel their lord was in the sea, for them seemed that in that jewel lay the gift of bliss and healing that had come upon their houses and their ships."


That's her emotional and familial claim to the Silmarils, jewels which no one disputes were made by Feanor: "Grandpa Beren suffered a wolf biting off his hand with the Silmaril. Grandparents B&L went through all kinds of bravery, imprisonment, sacrifice, and DEATH as part of the Silmaril saga. (NB: two Sons of Feanor actively hindered their efforts rather than aid them, thus they have no moral claim on the recovered Silmaril.) And Papa Dior was killed for this Silmaril. And you dirty Sons of Feanor left my brothers to starve in the woods after killing my parents. Do you really think I'm going to give it up? Three generations of my family have BLED for this shining jewel, and I'm keeping it."

Then Elwing commits suicide (or tries to) and is whisked away to Earendil by Ulmo, and pretty much the tone suggests: "Hi, Hubby, you'd look good wearing this Silmaril that our community was just slaughtered over because I wouldn't give it up. Wear it while we sail." Hence the nagging question: why did she give it to Earendil who was her beloved spouse but of a totally different lineage? Why didn't Tolkien expound on this point of sharing a Silmaril when if anything, the Silmarils inspired angry possessiveness? (Feanor, Morgoth, Thingol)

Then reading your other points on the development of the E&E tale with so many variations: kept apart, or they're together and awarded a Silmaril after Morgoth's defeat, etc, it's clearly a tale that developed on its own outside the shadow of Beren and Luthien. But my mind kept coming back to B&L as the thematic model, and I'll assert that a writer doesn't invent new fundamental values on every page, and some things are just assumed. So Tolkien assumed partnership and shared missions between people who are close, and it was such a part of his core view, he didn't see the need to explain it anymore than needing to explain on every page that his characters breathed oxygen. Readers are just supposed to get it.

B&L were such great opposites: while Beren's family had decent lineage, they'd been dispossessed and were outlaws, plus he was short-lived, plus he couldn't perform any of the magic tricks that Luthien could. And that huge disparity never mattered. They were a team, they were in it together, they both contributed what they could, and the mission was to 1) get a Silmaril to please Daddy, and 2) get married.

There was a similar disparity in Thingol and Melian, and again, it didn't matter: Doriath survived and prospered thanks to the Girdle of Melian, but she didn't lord it over him and say, "You need to take out the trash today. My Girdle is what's keeping us all safe from orcs." It was a joint venture where no one got out an abacus and totaled up who'd done more chores, or who was being taken advantage of in the relationship.

Then I thought of LOTR and the Fellowship: Aragorn and Boromir make a path through the snow and carry the hobbits down from Caradhras, and there is no reciprocity demanded from the hobbits. Again, a sense of shared mission and everyone contributing what they can without keeping score.

So that's where I wind up with Elwing giving the Silmaril to Earendil: if it can heal the hurts of refugees at the Mouth of Sirion and even bless their boats, it can bless the voyage to Valinor, and E&E were in that voyage together with Earendil at the helm. Elwing was *not* going to sit below decks and read murder mystery novels by the light of the Silmaril "because it's mine!" when she knew it could contribute to the larger mission they were on.

I can add that it's also a nagging mystery what happened to the Nauglamir, but after reading your repeated variations of how it was usually depicted as cursed, I wonder if in Tolkien's mind it was better left on the ocean floor rather than curse the voyage of E&E. Sad that a token of Elf-Dwarf friendship, Nargothrond's prosperity, and Finrod's eminence, as well as Luthien's later esteemed beauty and grace enhanced by the Nauglamir: all that was lost. But the Quenta Silmarillion is about everything being lost, so it fits.

 
 

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