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lurtz2010
Nargothrond
Jun 8, 7:03am
Post #1 of 4
(30931 views)
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I have crafted a reimagined Hobbit trilogy that aims to honor Tolkien's lore (with the help of AI)
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Hello!
I know this forum is pretty dead these days but I wanted to post this here for old times sake. I'll probably post this on reddit too with a link to this post because it'll be too long for a single reddit post. Assuming this doesn't somehow violate any rules.
Anyway, with the help of AI  (mostly chatgbt and a bit of grok from twitter) I have created a scene by scene breakdown of a new Hobbit trilogy that aims to stick to Tolkien's lore as closely as possible.
I know that most people believe that The Hobbit would work best as 2 films or even just 1 single stand alone film, but the idea of a "prequel trilogy" has always been fascinating to me ever since it was first announced. I believe that if done correctly, The Hobbit can work as a trilogy of 3 films, distinct from LOTR and focusing on character growth etc.
Here I have crafted a simplified summary of "scenes" for each film, some scenes are given more detail than others where I felt it was necessary.
I've used Peter Jackson's trilogy as a blue print and added/removed/changed things that I thought could have been handled better and tried to honor Tolkien's lore as best I can.
This is a very simplified outline focusing on key story beats to get the general idea. Obviously, the actual films would include dialogue and feature proper character development and world building but this is just the short version.
In my reimagined trilogy I have decided to keep the Dol Guldur subplot with a few alterations from PJ's version, I've removed the Azog revenge plot and the Tauriel/Kili love story and tried my best to remove too much added "filler" and "bloat" that many people seem to have issues with in PJ's trilogy.
Please read/skim through the whole thing and decide for yourself whether my new version could work.
At the end of each film, I also asked the AI if they would work as stand alone films in a trilogy and if they would each feel satisfying to general audiences and book fans alike.
Here is film 1, I'll post films 2 and 3 underneath in separate posts in the thread so it's not too long.
Film 1: The Hobbit: The Quest of Erebor
Scene 1
Old Bilbo narrates his cozy life in Bag End, beginning with “In a hole in the ground, there lived a hobbit,” as he enjoys the Shire’s comforts. His routine is disrupted when Gandalf arrives, hinting at adventure and the arrival of unexpected visitors.
Scene 2
Bilbo, startled and flustered by the unexpected arrival of thirteen dwarves—Thorin, Balin, Dwalin, Fili, Kili, and the others—who raid his peaceful home, listens as Thorin recounts the tragic history of Erebor. He tells of the kingdom’s golden age under his grandfather Thrór and the devastating attack by the dragon Smaug that destroyed the Lonely Mountain and the nearby city of Dale, forcing the dwarves into exile.
Gandalf then produces Thrain’s map and key, ancient heirlooms vital to finding the secret entrance to Erebor.
Gandalf reveals he brought the company to Bilbo’s door because they need a burglar—someone small and stealthy to sneak past the dragon. He explains that the scent of a hobbit is unknown to Smaug, making Bilbo uniquely suited for the task.
Later that night, the dwarves sing the haunting “Misty Mountains” song, stirring a deep yearning for adventure in Bilbo’s heart.
Scene 3
Bilbo wakes to a quiet, spotless Bag End. Realizing the dwarves have left but inspired by Thorin’s tale and their song, he grabs the contract and rushes out.
He races through Hobbiton, chasing after the company traveling through the woods.
Bilbo catches up and hands over the signed contract. The dwarves welcome him, and Thorin orders a pony for Bilbo.
Though nervous, Bilbo is helped onto a pony. The dwarves quietly exchange bets on his arrival. Gandalf smiles knowingly.
Bilbo suddenly panics—he’s forgotten his handkerchief. Bofur offers a cloth strip; Bilbo grimaces.
Thorin urges the company forward. Gandalf reminds Bilbo that home is now behind him, the world is ahead.
The company rides on through forests, hills, and plains beyond the Shire.
Scene 4
As the company rides through rainy woodlands, Bilbo asks Gandalf if there are other wizards. He names Saruman, the Blue Wizards, and Radagast the Brown, who prefers the company of animals.
Far away to the East, Radagast the Brown moves swiftly through the Greenwood, inspecting dying plants and dead animals. He finds a sick hedgehog and rushes it home.
At Rhosgobel, Radagast tries healing spells and remedies, but the hedgehog weakens. Outside, giant spiders creep over the house. Radagast braces the door, clutches his staff, and casts a spell with a glowing blue stone.
A dark shadow lifts from the hedgehog into the stone. The creature revives; the spiders flee.
Radagast mounts a sleigh pulled by giant rabbits, following a trail of webs, racing toward the ruined fortress of Dol Guldur looming ahead.
Scene 5
While camping for the night in the wilderness, the company gathers around a small fire, sharing food and grumbling about the cold. Gandalf has mysteriously disappeared without a word, as he often does, leaving the dwarves uneasy.
Later, the company notices a strange light flickering in the trees ahead. Curious and concerned, Thorin sends Bilbo—their appointed burglar—to investigate. Creeping through the underbrush, Bilbo discovers three large trolls gathered around a fire, roasting stolen livestock and bickering noisily.
Bilbo attempts to steal from one of the trolls but is caught. The dwarves charge in to rescue him, only to be overpowered and thrown into sacks.
The trolls begin arguing about how to cook the dwarves—whether to turn them on a spit or sit on them one by one until they’re squashed into jelly. Their squabbling escalates as the night wears on.
Just before dawn, Gandalf returns and cleverly mimics their voices from the shadows, manipulating the argument until the sun rises. Caught off guard, the trolls are turned to stone in the morning light.
In the aftermath, the company finds the trolls’ cave. Inside, they discover a stash of stolen treasure and ancient weapons. Thorin and Gandalf each claim finely-crafted Elven swords, their origins unknown. Bilbo finds a small Elvish blade suited to his size and takes it with quiet resolve.
Scene 6
The company makes their way through rugged wildlands toward Rivendell. Gandalf explains they need supplies and the counsel of the elves to aid their quest. Thorin and the dwarves grumble among themselves, uneasy and distrustful of elves, reluctant to depend on their help. Bilbo watches the misty valleys with wonder and excitement, eager to see the elves and experience their realm.
Finally, they reach a high ridge and look down to see the peaceful valley of Imladris spread out below them, its beauty both calming and mysterious
Scene 7
The company arrives at Rivendell, crossing a stone bridge over a clear river and passing into the peaceful elven refuge. Elrond warmly welcomes them and leads the company into the great Hall of Fire—a grand chamber filled with glowing hearths and rich tapestries. During the feast, Elrond reveals the names of the ancient swords found in the trolls’ cave—Glamdring, once wielded by the kings of Gondolin, and Orcrist, known as a feared blade against orcs. He explains their power and importance for the journey ahead.
Later that night, Elrond studies Thrain’s map by moonlight, deciphering the hidden moon runes that reveal a secret door. He recites the ancient poem about Durin’s Day, which marks the only time the door can be opened. Despite this knowledge, Elrond warns the company that it would be unwise to attempt reclaiming Erebor from the dragon.
The next day, Bilbo wanders Rivendell’s radiant halls and tranquil gardens. Exploring alone, he comes upon the shards of Narsil, the broken sword of Elendil. Nearby, a large mural depicts Isildur’s battle with Sauron. Bilbo lingers, struck by the weight of history and the sense of a greater world beyond his understanding.
Elrond approaches. Noticing Bilbo’s contemplative gaze, he speaks gently. They share a quiet conversation about the burdens of history, the road ahead, and Bilbo’s uncertain place in the company. Sensing Bilbo’s hesitation, Elrond assures him that he is more than welcome to remain in Rivendell if that is what he wishes.
Scene 8
The White Council—Elrond, Galadriel, Celeborn, Saruman, Gandalf, Glorfindel, and Círdan—gathers secretly in Rivendell, exchanging cautious words about the growing unrest across the lands. The topic turns to Thorin’s quest to reclaim Erebor. Some express doubt about the wisdom of provoking the dragon Smaug, but Gandalf argues passionately that reclaiming the mountain is crucial.
He warns that if Smaug were to ally with dark forces, the devastating power of a dragon could be turned to terrible effect, tipping the balance in favor of evil. The council debates the risks and the potential consequences, but no clear course of action emerges.
Radagast arrives, breathless and anxious. He brings urgent news from Greenwood and recounts entering Dol Guldur. Inside the ruined fortress, he found signs of dark sorcery and felt a shadowy presence—Twisted creatures lurk in the shadows, and the air reeks of decay and evil. Realizing the danger, Radagast fled to warn the council.
Radagast explains that the woodmen who live in the forest have started calling it “Mirkwood.” Rumors have spread of a sorcerer they call “the Necromancer.”. While Saruman remains skeptical, the others grow troubled by this revelation. The true threat to Middle-earth becomes clearer, and the council must decide how to respond.
Gandalf accepts the task of investigating further after he passes the Misty Mountains, determined to uncover the true nature of this growing darkness.
Scene 9
The company pushes onward into the heights of the Misty Mountains as a violent thunderstorm erupts. Rain lashes the narrow paths, and lightning reveals massive stone giants—like trolls made of rock—hurling boulders at one another across the cliffs. The ground shakes with each impact as the company scrambles for cover, dodging falling debris.
Thorin urges them onward through the chaos until they find shelter in a cave. Gandalf, wary, allows them to rest there. The dwarves light a small fire and dry off. Thorin broods in silence, while Bilbo sits apart, unsure of himself.
As they sleep, the cave shifts with a sudden rumble. Trapdoors snap open beneath them—goblins swarm from hidden tunnels. The company is ambushed and overwhelmed before they can draw their weapons. Dragged into the depths, they are taken captive into the dark heart of the mountain.
Scene 10
In the heart of Goblin Town, the company is brought before the cruel Great Goblin. He sneers at Thorin and the dwarves, mocking their quest and taunting them with threats.
Suddenly, Gandalf bursts into the chamber with a flash of light and fierce determination. He swiftly battles through the goblin ranks and kills the Great Goblin, turning the tide. Alarmed, the goblins scatter and the company seizes the chance to flee.
They race through the twisting, dark tunnels, pursued relentlessly by goblin warriors. Amid the chaos, Bilbo stumbles and falls, hitting his head hard. He is knocked unconscious and left alone in the dark, separated from the company.
Scene 11
Bilbo wakes alone and wanders through the tunnels, discovering a mysterious ring. At an underground lake, he encounters Gollum and survives a tense riddle game. When Bilbo wins, Gollum realizes his “precious” is missing and chases him. Invisible, Bilbo spares Gollum’s life, leaps over him, and escapes through a hidden exit. Outside, he overhears his company arguing about his whereabouts. Though he longs for home, Bilbo reveals himself—determined to help reclaim their homeland.
Scene 12
The company flees into a forest clearing, pursued by a pack of snarling wargs and their goblin riders. Outnumbered and surrounded, they scramble up into the trees, climbing higher as the beasts snap at their heels. Bilbo struggles but manages to follow. Thorin and Dwalin take up defensive positions on the lower branches, weapons drawn.
Gandalf climbs beside them and, with a burst of fire from his staff, ignites pinecones and hurls them into the pack. Flames scatter the goblins, and yowling wargs catch fire and flee, but more are closing in.
Just as all hope seems lost, a sudden rush of wind sweeps over the trees. Great eagles descend from the sky, striking the attackers and lifting the dwarves to safety in powerful talons. One by one, the company is borne away through the clouds and over the wilderness.
They are set down atop the Carrock, a high rocky outcrop with sweeping views across the land. The company collapses from exhaustion, In the distance, the Company gazes at the outline of a solitary peak—Erebor, the Lonely Mountain—rising from the horizon. As the sun breaks behind them, a lone thrush flutters overhead and circles the Carrock. The bird is seen as a sign—a good omen.
The thrush flies eastward across the desolate lands before Erebor. It glides over the ruined gates, then lands on a rocky ledge near the mountain’s side. Picking up a snail, it taps the shell against the stone. The sharp sound echoes through the mountain’s vast, silent halls.
Inside, the treasure hoard stirs. Gold and jewels shift and tumble as something beneath them breathes. A snout emerges. Coins slide off a scaled brow. The eye of Smaug snaps open—smoldering, aware. A low growl rumbles in the dark.
END
Film 1: The Hobbit – The Quest of Erebor works well as a standalone first film in a trilogy. Here’s why:
Clear Structure
Beginning: Introduces Bilbo’s quiet life and the call to adventure through Gandalf and the dwarves. Thorin’s backstory and the Smaug flashback establish stakes and motivation.
Middle: The journey builds through escalating encounters—trolls, Rivendell, goblins, and Gollum—developing characters and the growing threat in Middle-earth.
End: The eagle rescue offers a satisfying climax. The final moments with Smaug waking in Erebor give a strong hook for the sequel.
Character Arcs
Bilbo grows from reluctant homebody to someone who chooses to help reclaim Erebor, proving his worth and earning Thorin’s respect.
Thorin is established as a proud leader with a deep personal mission, setting up his larger arc for the trilogy.
Thematic Cohesion
Themes of courage, home, and rising darkness are introduced and carried through.
The White Council subplot plants seeds for the larger conflict without overwhelming the main quest.
Teases Future Conflict
The Necromancer subplot and Smaug’s awakening hint at greater danger ahead, naturally leading into Film 2 without leaving the first feeling incomplete.
In short: it’s a strong foundational film that introduces characters, stakes, and themes, and wraps up with a satisfying ending while leaving room for more.
Please read films 2 and 3 below where my changes truly start to shine.
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lurtz2010
Nargothrond
Jun 8, 7:06am
Post #2 of 4
(30918 views)
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Film 2: The Hobbit – The Desolation of Smaug
Scene 1
At the Prancing Pony inn in Bree, Gandalf urges Thorin to reclaim Erebor to counter the growing darkness in the East, prompting Thorin to recount a flashback of Smaug’s fiery destruction of Dale and Erebor, his voice heavy with loss. They discuss the lost Arkenstone, vital to unite the seven dwarf armies, and Thorin, cautious but determined, agrees to form a company and Gandalf suggests that they are going to need a burglar.
Scene 2
Twelve months after the meeting in Bree, the Company journeys through Wilderland and, following Gandalf’s advice, arrives at Beorn’s house. Beorn, the skin-changer, offers them shelter and provisions. He expresses his disdain for goblins and shows interest in their quest over the Misty Mountains.
Balin recounts the Battle of Azanulbizar—a grim chapter in their history. Thorin’s grandfather, Thrór, was slain by Azog, igniting a fierce battle. Thorin earned the name Oakenshield by wielding a broken oak branch as a shield. Though Dáin killed Azog, Azog’s son Bolg survived and now seeks vengeance. Thorin’s father, Thrain, vanished during the battle.
This tale deepens the Company’s resolve for the perilous journey ahead.
Scene 3
Later that night, Bilbo hears distant growls and the heavy movement of a bear outside Beorn’s house. He holds the golden ring up before his eyes, studying it closely, curious about its true nature.
Meanwhile, at Dol Guldur, goblins report to Bolg, son of Azog, that Gandalf the Grey killed the Great Goblin and that Thorin Oakenshield leads a company of dwarves. Bolg, suspecting they intend to reclaim Erebor, relays the news to the Necromancer, who watches silently from the shadows.
Scene 4
The next morning, Beorn offers the company ponies for their journey to Mirkwood, and while preparing, he warns Gandalf of Dol Guldur’s spreading darkness, whispering that wargs and goblins will hunt them relentlessly across the wilds. The company rides through rolling meadows to Mirkwood’s shadowed edge, where twisted trees loom under a sickly haze; Gandalf, with a grave farewell, departs south to confront the Necromancer at Dol Guldur, leaving Bilbo and the dwarves to step nervously into the forest’s oppressive gloom alone.
Scene 5
The company trudges through Mirkwood’s tangled, gloom-shrouded paths, where twisted branches block sunlight and eerie whispers unsettle their minds, leading to disorientation and dwindling supplies as days blur together. When monstrous spiders ambush them, ensnaring the dwarves in thick webs, Bilbo, using his ring to turn invisible, bravely cuts them free with Sting, driving off the creatures and solidifying his role as the company’s rescuer.
Scene 6
As the company recovers in Mirkwood, a fresh swarm of giant spiders descends, chittering and weaving webs, but suddenly, Legolas and Tauriel lead a band of elven archers who appear out of the shadows to drive the spiders off with swift arrows and blades. Legolas recognizes the sword Orcist among the dwarves’ weapons. The elves, distrustful of the dwarves, take them prisoner to the Woodland Realm’s cavernous halls, but Bilbo, slipping on his ring to vanish, evades capture and stealthily follows to plan their escape.
Meanwhile, far to the south, Gandalf rides through Mirkwood and arrives at Rhosgobel. Radagast welcomes him warily, and Gandalf explains the urgency of investigating Dol Guldur. They prepare to ride together toward the shadowed fortress, determined to uncover the truth of the Necromancer's power.
Scene 7
In the Woodland Realm, Bilbo, invisible with his ring, sneaks through the torch-lit halls. While exploring the kingdom, he overhears Thranduil and Tauriel debating their duty to confront the growing evil beyond their borders. Their conversation reveals Thranduil’s isolationism and Tauriel’s desire to act. Later, Bilbo slips past the guards, steals the prison keys from a drunken captain, and unlocks the dwarves’ cells. He packs them into empty wine barrels and releases them into the rushing river for a turbulent escape past elven sentries. Clinging to a barrel, Bilbo disappears downstream with the company.
Scene 8
The company arrives at Lake-town’s shore, where Bard the bargeman discreetly smuggles them into the town to avoid the suspicious eyes of the Master’s guards. At Bard’s home, they meet his son Bain.
Looking out a window, the company notices a dwarven windlance mounted on a tower, a relic from the past. Balin recounts the history of Girion, Lord of Dale, who bravely tried to defend the city against Smaug’s fiery assault. Bain solemnly adds that his ancestor did hit the dragon—one of his arrows struck true and loosened a scale on Smaug’s chest, though it was not enough to bring the beast down. The story underscores the lasting scars Smaug’s attack left on the region.
Scene 9
Under cover of night, the dwarves sneak into the armory to find weapons, hoping to better prepare for the looming battle. However, their covert actions are discovered, and they are captured by the town guards. Brought before the Master of Lake-town and a gathered crowd, Thorin boldly declares his identity as the heir of Durin and rightful king under the mountain. Tension ripples through the crowd as the townspeople weigh their hope for treasure against fear of dragon wrath.
Bard steps forward, warning the town of the ruin dragon-fire could bring, urging them to remember the fate of Dale. The Master, seeking to maintain control, rebukes Bard’s caution by invoking Girion—Bard’s ancestor—who failed to kill the dragon, casting doubt on any hope of resistance.
Thorin, speaking with pride and conviction, promises that the dwarves will succeed where others failed, and that Lake-town will share in the wealth of Erebor. His words inspire the people. Swayed by the crowd’s rising hope and his own ambitions, the Master welcomes Thorin and his company, granting them aid and safe passage.
Scene 10
At dawn, the company departs Lake-town in a small boat provided by the Master, while townspeople gather to watch, cheering their journey. Bard stands silently at his house, gazing out the window toward the distant Lonely Mountain, concern etched on his face.
As the boat sails north across the lake, a chill fills the air and the shadow of the mountain grows. They cross desolate, wind-swept lands, silent and lifeless, before finally looking down upon the ruins of Dale. Passing through its fire-scarred streets, they witness the devastation left by Smaug. Beyond the city, they find the hidden path at the base of the mountain.
Scene 11
Intercut with Scene 10.
Gandalf and Radagast arrive at Dol Guldur, its towering ruins cloaked in silence and shadow. Inside, the fortress seems abandoned, but Gandalf senses a hidden presence. As they move through the dark halls, they find traces of necromantic power and long-abandoned cells. Whispers echo faintly. Radagast grows uneasy, and Gandalf urges him to return to Rhosgobel and alert the White Council.
Gandalf continues alone, his staff lighting the way as something stirs in the depths. Suddenly, a wild, ragged figure attacks—Thráin, Thorin’s father, maddened by torture and dark magic. Gandalf subdues him and speaks a soft incantation, breaking the spell clouding Thráin’s mind. Recognition slowly returns to the old dwarf’s eyes.
In a fit of anguish, Thráin recalls the Battle of Azanulbizar—shown in a grim flashback—as he watches Azog kill King Thrór. Thráin himself is overpowered, and Azog hacks the Dwarven Ring of Power from his finger. The memory leaves him shaken. As he regains composure, Thráin remembers giving Gandalf the map and key to Erebor. Gandalf tells him that Thorin has taken up the quest to reclaim Erebor. Thráin’s face twists with fear, and he insists no one must enter that mountain.
Scene 12
The company climbs the narrow stairs carved into the Lonely Mountain and reaches a hidden ledge near the top. There, they find the secret door—small and sealed tight, almost invisible among the stone and heather. They search for a way to open it, but no keyhole is visible. As the sun sets, hope fades and tension rises. Thorin grows restless, and the others watch anxiously. Bilbo looks out over the distant ruins of Dale in the fading light.
Just as twilight deepens, the door suddenly reveals a faint keyhole, glowing in the last rays of the setting sun—Durin’s Day. Thorin produces the key and uses it to unlock the door. He then urges Bilbo to fulfill his task and asks him to try to find the Arkenstone, the heart of the mountain and the treasure that could unite the dwarves. Nervous but determined, Bilbo steps forward alone and slips through the dark opening, disappearing into the shadowed tunnel as night falls.
Scene 13
Back in Dol Guldur, Thrain, still weak and haunted, warns Gandalf that Smaug is in league with the Necromancer, a dark alliance threatening all Middle-earth. Urgency grips them as the shadow deepens.
As they hasten their escape through the fortress’s crumbling halls, Gandalf’s eyes catch an ancient statue clutching a mysterious palantír. He hesitates, sensing danger, but finally touches the seeing stone.
Suddenly, a vision floods his mind: an apocalyptic battlefield where a vast orc army marches under Smaug’s fiery wing, laying waste to the lands. The nightmare fuels Gandalf’s resolve.
No sooner does the vision fade than they are ambushed by Bolg and a pack of orcs. Gandalf fights fiercely, wielding powerful magic to repel the attackers, eventually breaking free and fleeing their presence.
As they catch their breath, the Necromancer suddenly appears before them, an immense, shifting figure of darkness.
The Necromancer’s dark presence looms as Gandalf and Thrain face the grim reality within Dol Guldur. Thrain pleads with Gandalf to tell Thorin he loves him. The Necromancer strikes, pulling Thrain into his shadowy, twisting form. Thrain is consumed and disappears into the darkness.
The dark form of the Necromancer shifts and twists, revealing itself as the terrifying Eye of Sauron. A fierce magical battle erupts as Gandalf fights desperately against the overwhelming power. Despite his skill, Gandalf is ultimately defeated and cast down.
Scene 13
Bilbo ventures alone into the dark halls of Erebor, his footsteps echoing through the vast silence. He enters the treasure chamber, where mountains of gold and jewels lie undisturbed. Carefully, he searches for the Arkenstone.
A low rumble stirs the gold. Smaug, buried beneath the hoard, awakens. The dragon rises, immense and terrible, his eyes scanning the darkness. Bilbo slips on the Ring and hides as Smaug begins to prowl.
Invisible, Bilbo and Smaug trade riddles—Smaug boasting of his power and destruction, Bilbo stalling for time while searching. The dragon grows suspicious and enraged, sensing he is being played. He tells Bilbo that the dwarves’ quest will fail, and that a great darkness is coming—one that will spread to every corner of the land.
Scene 14
Within the shadows of Dol Guldur, the Necromancer—now revealed as Sauron—stands atop a high rampart, his form flickering between darkness and flame. Before him kneels Bolg. In a voice like grinding stone, Sauron commands Bolg to ride for Mount Gundabad and summon the legions. Erebor must fall, and Smaug must be brought under his dominion.
Below, in a high iron cage, Gandalf hangs in chains, bruised and weary. From his vantage point, he watches as Bolg and a pack of orcs mount up and thunder out of the fortress.
As the orc party disappears into the forest, Gandalf’s face darkens with dread.
Scene 15
Bilbo and Smaug continue their tense conversation within the vast treasure hoard. Bilbo spots the Arkenstone hidden among the gems, and Smaug notices its gleam as well. Smaug is almost tempted to let Bilbo take it, knowing it will corrupt whoever claims it and drive them mad. Bilbo considers these dark words carefully. Growing bored with their game, Smaug suddenly lunges to kill Bilbo. Narrowly escaping, Bilbo flees up the tunnel leading back to the hidden door. Enraged, Smaug’s fury shakes the mountain as he bellows in wrath.
Meanwhile, the people of Laketown feel Smaug’s fury ripple through the earth like an earthquake. In Bard’s home, his son Bain worries aloud that the dragon will come. Bard reveals a hidden black arrow, kept for just such a dire moment.
Scene 16
Bilbo reaches the tunnel’s end, where the anxious dwarves await. He recounts his tense encounter with Smaug, describing the dragon’s fury and ominous warning. The company realizes Smaug is likely to fly to Lake-town next. They brace for the coming storm.
Inside the mountain, Smaug paces restlessly, his eyes burning with fury as he mutters about the “barrel rider” — the intruder aided by the people of Lake-town. With a sudden roar, he crashes through the great gates, spreads his massive wings, and bursts into the sky, flying toward Lake-town, intent on destruction.
Scene 17
Chaos erupts as Smaug’s fiery wrath descends on Lake-town. Flames engulf rooftops and smoke chokes the sky. Bard, resolute and focused, fights his way through the panicked crowds toward the ancient windlance mounted high on a tower. Meanwhile, Bain steers a small boat carrying several frightened townspeople through the burning docks to safety. As Smaug swoops low, Bard steadies himself and fires the black arrow — the legendary weapon crafted to fell the dragon. The arrow strikes true, piercing Smaug’s vulnerable chest where a missing scale exposes his weakness. With a thunderous roar, Smaug crashes down onto the town, his massive body smashing buildings and crushing the Master beneath his weight. The town lies devastated but the dragon is dead.
Scene 18
From Ravenhill, Bilbo and the company watch the devastation in the distance as Smaug crashes down onto Laketown. As the dust settles, they realize the dragon is dead. Thorin’s gaze hardens as he turns toward Erebor’s main gate in the valley below, determination driving him forward. The dwarves follow their leader without hesitation. Behind them, Bilbo quietly fingers the Arkenstone tucked safely in his pocket, deciding to keep its existence a secret—for now.
END
Film 2: The Hobbit – The Desolation of Smaug as you've outlined does work well as a standalone middle film in a trilogy. Here’s why:
Strengths as a middle film:
Clear continuation: It picks up naturally after the first film’s setup and journey start, deepening the stakes.
Rising tension: The growing threat of Smaug and Dol Guldur’s darkness build a compelling sense of escalating danger.
Character development: Key arcs unfold—Thorin’s determination, Bilbo’s courage, and Bard’s introduction—all deepen investment.
Multiple threads: You balance the Company’s journey, the looming Necromancer threat, and the build-up to Smaug’s attack.
Cliffhanger ending: Smaug’s fall and the devastation of Lake-town provide a strong, dramatic climax that pushes the story forward.
Setting up final act: Thorin’s march to Erebor and the secret of the Arkenstone hint at conflicts and resolution to come in the last film.
What helps it feel self-contained:
The film has a clear beginning (Company at Beorn’s), middle (forest struggles, escape, journey to Lake-town), and end (Smaug’s attack and death).
It resolves the immediate threat of Smaug but leaves bigger conflicts unresolved (the reclaiming of Erebor, Dol Guldur’s menace), which fits the middle installment role.
Emotional beats, like Bard’s heroism and Bilbo’s secret choice about the Arkenstone, add layers of intrigue and personal stakes.
Film 3 below.
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lurtz2010
Nargothrond
Jun 8, 7:08am
Post #3 of 4
(30908 views)
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Film 3: The Hobbit: The Battle of the Five Armies
Scene 1
The lifeless corpse of Smaug lies sprawled across the shattered docks and collapsed buildings of Laketown. Survivors gather on the shore, weary and solemn, tending to the wounded and mourning.
Above, countless birds—ravens, crows, and other wild birds—fill the sky with restless flight as they scatter in every direction.
We follow their path in a sweeping montage:
Inside the grand halls of the Woodland Realm, Thranduil and Legolas stand together at a large window facing east. They watch the skies, their faces serious as flocks of birds arrive, bearing news of the dragon’s death.
Furthur west, in a quiet clearing outside his humble home, Beorn tends to his bees, pausing to look skyward as birds circle and depart, carrying the message of change on the wind.
Far to the east, at the sturdy stronghold of the Iron Hills, Dáin Ironfoot and his dwarves go about their daily tasks. They watch as flocks of birds fly overhead, their expressions thoughtful—aware that the news the birds carry is significant.
To the north, Bolg leads a pack of orcs and wargs riding hard toward Mount Gundabad. Black banners snap in the wind, and ominous ravens and crows circle above the warband, signaling growing darkness.
Scene 2
The Lonely Mountain rises amidst desolate, scarred lands.
Inside, the Company walks through shadowed halls into the vast treasure hoard. Thorin steps forward, eyes fixed on the gold. A change comes over him—silent, intense.
He turns to the others and declares with fervor: the mountain is theirs. The Company reacts with awe and relief. Bilbo hangs back, uneasy.
Scene 3
On the lake’s shore, survivors gather amid smoke and ruin. Bain moves through the crowd, searching.
Bard emerges from the water—soaked and breathless. Father and son reunite. The crowd sees him and cheers erupt around them, declaring him Bard the Dragon Slayer.
Bard raises his voice, calming them. He warns that winter is upon them—they must find shelter or they will not survive.
The people grow quiet, the weight of survival settling in.
Scene 4
The dwarves sift through the treasure hoard, hands rifling through gold and jewels. Thorin demands the Arkenstone be found at once.
Bilbo slips away to the ramparts of the front gate. He pulls the Arkenstone from his pocket, holding it quietly in his hands, his face shadowed with inner conflict.
The wind stirs as the weight of the treasure and the quest presses on him.
Scene 5
Laketown survivors gather their belongings along the shore, weary but determined. They prepare to journey toward the Lonely Mountain, seeking refuge and hope.
Legolas and Tauriel arrive on horseback from the Woodland Realm, silently taking in the devastation. Legolas approaches Bard and, with unease, warns him—others will surely be drawn to the mountain for its wealth or its position. He does not speak from certainty, but from fear of what may come.
Scene 6
At the shadowed heights of Mount Gundabad, Bolg stands before the rusted gates, overlooking a vast gathering of orcs and wargs. War drums echo through the mountain halls as the army assembles under his command.
With a guttural cry, Bolg leads the horde out into the wild.
Above them, a massive swarm of bats pours from the peaks, blotting out the sky as they follow the army south—heralds of the darkness on the march.
Scene 7
On the shores of the lake, Bard takes charge, leading the survivors as they begin their journey toward Erebor.
Meanwhile, Legolas and Tauriel ride swiftly back to the Woodland Realm to inform King Thranduil of what has happened in Lake-town.
The people gather what little they can, salvaging supplies and helping the wounded. Bain walks beside his father as Bard keeps them moving forward.
Scene 8
Gandalf hangs in a suspended cage high atop Dol Guldur’s ruined spire, overlooking the twisted forest of Mirkwood.
Thick mist coils around the jagged stronghold, looming like a wound in the land. Shadows twist in the dead forest as Elrond, Celeborn, Glorfindel, Saruman, and Círdan approach, weapons and staffs at the ready. Behind them, Radagast moves quietly, eyes wary.
From within the fortress, piercing cries rise. The Nine Ringwraiths emerge—ghostly, crowned forms gliding forward with drawn swords. Steel clashes.
Elrond and Glorfindel strike with deadly precision, blades glowing as they drive back the wraiths. Saruman unleashes blasts of white fire from his staff. Círdan duels with graceful control, his strikes measured and sharp. Radagast calls upon the natural world—roots cracking stone, light breaking shadow.
Galadriel enters the fortress with calm, steady steps, her presence radiant and resolute. Beneath the black spire, she finds Gandalf, frail and trapped. With a surge of power, she lifts the cage and frees him.
A terrible cry splits the sky.
The Necromancer manifests—Sauron, cloaked in flame and malice, towering and formless.
Galadriel stands firm. Light pours from her, pure and terrible. She speaks in a voice that shakes the air. Shadow and flame recoil as Sauron is driven back, his essence spiraling eastward in defeat.
The wraiths vanish. Silence returns.
Elrond’s expression darkens with grim understanding—Sauron has fled to Mordor. The implications are dire. He turns to the others, eyes filled with urgency. Gondor must be warned.
Galadriel lingers, her light dimmed but still strong. She looks into the distance where Sauron vanished, her gaze distant, burdened with knowledge of the long darkness yet to come. Her strength is unshaken, but sorrow lies behind her calm.
Saruman, however, stands apart with a cold resolve, insisting they leave Sauron to him.
Radagast approaches Gandalf and hands him his staff with determination. Gandalf accepts it, steadied and resolved once more. The path to Erebor lies ahead. There is no time to waste.
Scene 9
In Erebor’s throne room, Thorin stands before the empty space where the Arkenstone once rested, frustration and anger etched on his face—its absence weighing heavily on him. He vows that if anyone should find the stone and withhold it from him, he will be avenged. Behind him, Balin, Dwalin, and Bilbo watch silently.
Later, Bilbo finds Balin alone. Bilbo asks if finding the Arkenstone would help Thorin, but Balin, burdened and weary, believes it’s best if the stone remains lost.
As Bilbo sits on a bench, his mind wrestling with the weight of withholding the Arkenstone and what it might mean for Thorin and the Company, he pulls from his pocket a small acorn he had picked in Beorn’s garden. Thorin notices and approaches. The tension eases as they share a brief moment of calm.
Dwalin arrives with urgent news of Laketown survivors streaming into Dale. Thorin’s expression hardens, and he rallies everyone to the gate.
Scene 10
The Laketown survivors enter the ruined city of Dale, taking in the charred remains and burned buildings. Giant braziers burn at Erebor’s gates, signaling Thorin’s company survived.
Bard rallies the people to camp for the night, though unease lingers as he eyes the mountain.
Inside Erebor, the dwarves work to seal the breach Smaug made, hauling stones and using pulleys. Thorin demands the fortress be secure by dawn, determined never to lose it again.
Kili acknowledges the survivors’ suffering, but Thorin insists they should be grateful to have escaped the dragon’s fire. His gaze shifts to the fires of Dale as he calls for more stones at the gate.
Bilbo watches with growing despair..
Scene 11
Gandalf rides swiftly across open plains, urgency in every stride of his horse as he races toward Erebor.
Morning in Dale finds the people tending the wounded and struggling with hunger and thirst. Bard moves through the crowd, prioritizing the vulnerable.
At the archway, Bard spots the Woodland Realm army in battle formation. Survivors watch as Thranduil arrives atop a great elk, flanked by Legolas and Tauriel, his trusted guards. The troops begin unloading supplies.
Thranduil’s purpose is clear—he seeks to reclaim the white gems of Lasgalen, not to aid the people.
Inside Erebor, Thorin holds a necklace of those gems but tosses it aside.
Outside, Bard confronts Thranduil, demanding the chance to negotiate with Thorin to avoid war.
Scene 12
Thorin rallies the dwarves to arm themselves and take position on a platform above the blocked gate, facing the armed elves of Dale. Bard arrives, seeking negotiation, but Thorin refuses while enemies stand before his door. Tensions rise as Thorin questions the honor of past bargains and rejects Bard’s pleas.
Thorin orders Bard to leave, readying for conflict. Bilbo warns him they are outnumbered, but Thorin confidently vows to defend Erebor.
Back in Dale, Bard tells Thranduil of Thorin’s refusal. Thranduil, dismissing reason, prepares to attack at dawn. The dwarves disable the main gate’s bridge, signaling war is imminent.
Scene 13
In Dale and Erebor, the people and dwarves prepare for battle, arming themselves and donning armor. Thorin calls Bilbo over, handing him a gleaming mithril tunic—light, strong, and impenetrable.
Bilbo hesitates, feeling out of place in armor, but Thorin insists it’s a token of their friendship. Then, pulling Bilbo aside, Thorin reveals his growing distrust—he believes someone among them has stolen the Arkenstone.
Bilbo pleads for reason, reminding Thorin of their promises and the true cost of greed. But Thorin’s voice darkens, echoing Smaug’s words, consumed by obsession as the other dwarves ready for war.
Scene 14
In Dale, people ready for battle. Gandalf arrives urgently, riding through the crowd.
He meets with Bard and Thranduil, warning them that the orcs of Mount Gundabad serve Sauron, and Bolg now leads a force marching toward Erebor.
Thranduil is doubtful, but Gandalf insists Erebor holds strategic value—if taken, Rivendell, Lothlórien, the Shire, and Gondor could all fall.
Outside, they look to the gates of the Lonely Mountain. Thranduil asks where the orc army is. Gandalf has no answer.
Further north, Bolg’s army surges through shadowed valleys, wargs snarling and black banners whipping in the wind. Bats swarm above, their screeches echoing as they drive relentlessly toward Erebor.
Scene 15
At night in Dale, Thranduil orders his archers into position, ready to strike Erebor at dawn. Gandalf, frustrated, urges Bard to reconsider war, but Bard remains resolute, believing the dwarves cannot win. Unseen, Bilbo slips down a rope from Erebor’s blocked gate, navigating rubble to reach Dale. In Thranduil’s tent, Bilbo reveals the Arkenstone, astonishing Thranduil, Bard, and Gandalf. He offers it to trade for peace, hoping to save the dwarves. Later, Gandalf leads Bilbo through Dale, urging him to flee before Thorin learns of his betrayal. Bilbo refuses, determined to stay with the Company despite the growing threat of Thorin’s wrath.
Scene 16:
At dawn, Thranduil’s elven archers and Bard’s Laketown militia confront Thorin’s dwarves at Erebor’s sealed gate. Bard reveals the Arkenstone, its glow undeniable. Bilbo confesses he gave it to Bard for peace. Enraged, Thorin banishes Bilbo, ordering him cast from the ramparts. Bilbo climbs down a rope from the gate to join Gandalf.
Dáin Ironfoot’s dwarf army arrives, axes gleaming, ready to fight elves and men. Suddenly, Bolg’s Gundabad orc and warg army surges from the north, bats swarming above, forcing elves, men, and dwarves into an uneasy alliance.
In Dale, Bard leads spearmen against wargs, while Thranduil’s elves cut down orcs with precision. Dáin’s dwarves smash through enemy ranks. Inside Erebor, Thorin, deep in the treasure hoard, refuses to fight, gripped by dragon-sickness. Visions of Smaug’s coils haunt him, but clarity breaks through, lifting the curse. He rallies his company, charging out the gate to join the battle.
On Ravenhill, Bolg directs the orc assault. Legolas and Tauriel disrupt his command from above. Bilbo, invisible with his ring, reaches Thorin to warn of Bolg’s strategy. Beorn arrives in bear form, tearing through orcs, joined by Gwaihir and the eagles, who scatter bats and crush enemies. Thorin leads the Company toward Ravenhill, but Kili and Fili fall defending him. Beorn confronts Bolg, killing him in a savage clash. Thorin, wounded in the fray, collapses. The eagles and Beorn rout the orcs, securing victory.
Bilbo kneels by Thorin, who reconciles, regretting his greed and banishment. Thorin dies, gazing at Erebor. Bilbo weeps, his tears falling for his fallen friend.
Scene 17:
Deep within Erebor, a solemn funeral unfolds. Thorin’s body rests on a stone bier, flanked by Kili and Fili, their faces serene in death. Dwarves, led by Dáin, stand in silent ranks, axes lowered. Bard and the men of Dale bow their heads, while Thranduil and his elves observe with quiet respect. Bilbo stands apart, eyes red from weeping.
The dwarves chant a low, mournful dirge as Thorin, Kili, and Fili are entombed in Erebor’s heart, sealed with stone. The Arkenstone and Orcrist rest with Thorin forever, honoring his legacy.
In Erebor’s throne room, Dáin is crowned King Under the Mountain. An iron crown is placed on his head as dwarves kneel, their loyalty unwavering. Bilbo watches, heart heavy, as Gandalf stands beside him, a hand on his shoulder. The hall echoes with resolve, but the cost of victory lingers in the silence.
Scene 18:
Days later, Bilbo, packed for travel, walks out of Erebor’s gates. He bids farewell to Balin and the dwarves, their faces heavy with grief. They bow in respect as he turns to leave. Gandalf and Bilbo ride slowly toward the Shire, passing rolling hills and woodlands.
At the Shire’s border, Gandalf dismounts, parting with Bilbo. A knowing glance passes between them as Bilbo’s hand brushes the ring in his pocket, its weight unspoken. They clasp hands, then Bilbo walks on alone.
Nearing Bag End, Bilbo sees hobbits carting away his possessions—furniture, spoons, his mother’s glory box. An auctioneer oversees the sale of “the late Bilbo Baggins’ estate.” Outraged, Bilbo confronts Lobelia Sackville-Baggins, snatching back his spoons. He produces his contract from Thorin’s Company, proving his identity. The auctioneer, satisfied, halts the sale.
Inside Bag End, Bilbo finds his home in disarray. He picks up a handkerchief marked “BB,” smiling faintly. He hangs his parents’ portraits, straightening them with care. His hand grazes the ring in his pocket again, hesitating, before he pulls it out, staring at it with a mix of resolve and unease.
Scene 19:
Sixty years later, in Bag End’s cluttered study, an aged Bilbo, nearing 111, sits in a chair, his face lined with time. The One Ring rests in his trembling hand, its golden surface catching the firelight. He gazes at it, entranced, fingers tightening, a shadow of unease crossing his features.
Frodo enters, his footsteps soft on the creaky floor, his brow furrowing with quiet concern as he sees Bilbo’s fixation. Startled, Bilbo clasps the ring tightly, his eyes darting to Frodo with a fleeting glint of guilt. He slips the ring into his pocket, his smile weary but warm, though his fingers linger briefly on the fabric.
They share a quiet conversation. Bilbo revisits his tale of finding the ring in Gollum’s dark cave, a story Frodo knows well. Frodo listens intently, his questions gentle but probing, touching on the ring’s strange allure and Bilbo’s long burden. Bilbo recalls the tight spots the ring saved him from—moments of invisibility that spared him from goblins, spiders, and worse.
Frodo, with a hint of teasing concern, asks when Bilbo is finally going to make a start on the book he’s been planning for so long. Bilbo chuckles, deflecting with familiar wit, but his gaze lingers on the hearth, the firelight dancing in his eyes.
The weight of memory—and the ring—settles silently between them. Outside, the Shire rests in golden calm.
END
*bows to the applause*
Thank you for reading.
Film 3 – The Hobbit: The Battle of the Five Armies absolutely works both as:
- A Standalone Film
It opens with:
The aftermath of Smaug’s death, shown in visual, symbolic terms (the dragon's corpse, the mourning of Lake-town), which naturally suggests a climactic event has just occurred.
A montage across Middle-earth of birds carrying the news sets the global stakes and introduces a wide cast without requiring prior knowledge—something Tolkien used in his own storytelling to convey scope.
Then:
It builds clear, fresh conflicts: Thorin’s descent into dragon-sickness, the approaching refugees, the political tension with Thranduil, and the ominous rise of Bolg’s orc army. All of these plot threads are self-contained arcs with satisfying resolutions.
Characters such as Bilbo, Bard, Thranduil, and Thorin are given enough time and motivation within this film to be fully understood by a new viewer.
Flashbacks aren’t necessary because motivations are shown, not told—e.g., Thorin’s obsession is revealed through his actions and others’ reactions, not exposition.
Even the Dol Guldur subplot, while it references past lore, is executed as a discrete battle with a clear objective: rescue Gandalf and banish the dark power. It works on its own as a victory with ominous implications.
-A Trilogy Finale
It provides thematic and narrative closure to everything your fan edit trilogy sets up:
Thorin’s Arc: From noble heir to dragon-sick tyrant, to redeemed king who sacrifices everything. His funeral with Kili and Fili is the emotional anchor of the trilogy.
Bilbo’s Growth: His rejection of war and gold, his clever use of the Arkenstone, and ultimately his sorrowful return to a changed Shire mirror the arc of Frodo later in The Lord of the Rings—a quiet trauma.
The Rise of Sauron: The Dol Guldur assault concludes that subplot while setting up The Lord of the Rings with subtlety and gravitas, especially through Elrond, Galadriel, Círdan, and Glorfindel.
The Company: The dwarves’ journey ends with loss, legacy, and a new king (Dáin), completing the story of reclaiming Erebor but with heavy cost.
The final epilogue with Frodo perfectly mirrors how The Fellowship of the Ring begins, binding both trilogies together. It makes the ending feel like both a conclusion and a quiet prologue to the greater war.
Final Verdict:
It works on both levels.
The structure is emotionally coherent, visually epic, and character-driven. As a standalone film, it tells a self-contained story of greed, war, and redemption. As a trilogy finale, it masterfully resolves long-brewing tensions and sets the stage for the War of the Ring.
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lurtz2010
Nargothrond
Jun 8, 7:11am
Post #4 of 4
(30898 views)
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Your reimagined Hobbit trilogy—The Quest of Erebor, The Desolation of Smaug, and The Battle of the Five Armies—is a thoughtful blend of J.R.R. Tolkien’s novel, Peter Jackson’s cinematic adaptations, and your own creative additions. Below, I’ll evaluate whether each film would feel satisfying for both general audiences (casual viewers seeking entertainment) and book readers (Tolkien purists familiar with the source material), focusing on pacing, character arcs, fidelity to the book, and cinematic appeal. I’ll also consider how the trilogy as a whole delivers a cohesive and rewarding experience. Since you’ve asked about satisfaction for both groups, I’ll address their distinct expectations while keeping the analysis concise.
General Expectations
General Audiences: Seek engaging characters, clear stakes, emotional payoff, and exciting visuals. They may not know Tolkien’s lore but want a cohesive, entertaining story with relatable heroes and memorable moments.
Book Readers: Value fidelity to Tolkien’s themes (e.g., courage, greed, home), characters, and Middle-earth’s tone. They’re sensitive to deviations from the novel but may accept additions that respect the lore’s spirit.
Film 1: The Hobbit: The Quest of Erebor
General Audiences
Satisfying Elements:
Engaging Start: The cozy Shire opening (Scene 1) and Bilbo’s flustered reaction to the dwarves’ arrival (Scene 2) are relatable and humorous, hooking viewers with Bilbo’s fish-out-of-water charm.
Action and Adventure: The troll encounter (Scene 5), stone giants (Scene 9), Goblin Town escape (Scene 10), and eagle rescue (Scene 12) deliver thrilling set pieces with clear stakes, keeping casual viewers engaged.
Emotional Core: Bilbo’s decision to join the quest (Scene 3) and his sparing of Gollum (Scene 11) establish him as a likable hero, while the “Misty Mountains” song (Scene 2) and Smaug’s awakening (Scene 12) create an epic, cinematic vibe.
Visual Appeal: Rivendell’s beauty (Scenes 6-7), the Misty Mountains’ storm (Scene 9), and Erebor’s looming presence (Scene 12) offer stunning visuals that appeal to moviegoers.
Potential Concerns:
The White Council (Scene 8) and Radagast’s subplot (Scene 4) might feel like detours for viewers unfamiliar with Middle-earth’s broader lore, though Gandalf’s urgency ties them to the quest.
The large dwarf ensemble (13 members) could overwhelm casual audiences if not given distinct moments, but Thorin, Balin, and Bilbo’s focus helps mitigate this.
Verdict: Satisfying. The film balances humor, action, and heart, with Bilbo’s growth and the quest’s setup providing a clear arc. The cliffhanger with Smaug sets up anticipation for Film 2 without feeling incomplete.
Book Readers
Satisfying Elements:
Fidelity to Tone: The Shire’s warmth, Bilbo’s reluctance (Scenes 1-3), and the riddle game with Gollum (Scene 11) capture Tolkien’s whimsical yet perilous tone.
Key Moments: The trolls, Goblin Town, and eagles (Scenes 5, 10, 12) closely follow the book, with minor tweaks (e.g., Gandalf’s voice-mimicking) that enhance drama without betraying the source.
Lore Integration: Moon runes, Durin’s Day (Scene 7), and the thrush (Scene 12) are faithful to Tolkien, while the White Council and Dol Guldur (Scenes 4, 8) draw from appendices, enriching the story for lore fans.
Potential Concerns:
Additions like Radagast’s spider fight (Scene 4) and the White Council’s prominence (Scene 8) deviate from the novel’s tighter focus on Bilbo. Purists might find these distracting, though they align with Tolkien’s broader mythology.
Bilbo’s encounter with Narsil (Scene 7) feels like a Lord of the Rings nod that could seem out of place in Tolkien’s simpler Hobbit narrative.
Verdict: Mostly Satisfying. Book readers will appreciate the fidelity to Bilbo’s arc and key events, but some may quibble over expanded subplots. The lore-friendly additions and Tolkien’s tone ensure it resonates with most purists.
Film 2: The Hobbit: The Desolation of Smaug
General Audiences
Satisfying Elements:
Escalating Action: The Mirkwood spiders, barrel escape, and Smaug’s chase (Scenes 5, 7, 15-16) are high-energy sequences with clear stakes, keeping viewers gripped.
Character Growth: Bilbo’s bravery (Scene 5) and cunning (Scene 7) make him a compelling hero, while Bard’s heroism (Scene 17) and Thorin’s pride (Scene 9) add relatable drama.
Smaug’s Presence: The dragon’s riddling dialogue and fiery attack on Lake-town (Scenes 13, 15-17) are cinematic highlights, delivering a memorable villain and a thrilling climax.
Cliffhanger: Bilbo’s secret Arkenstone (Scene 18) and Gandalf’s capture (Scene 14) set up Film 3 without leaving viewers frustrated, as Smaug’s death resolves a major arc.
Potential Concerns:
The Dol Guldur subplot (Scenes 11, 13-14) might confuse viewers unfamiliar with Sauron, though Thráin’s emotional reunion (Scene 11) grounds it.
Lake-town’s politics (Scenes 8-9) could slow the pace for action-focused audiences, but Thorin’s speech and Bard’s warning keep it engaging.
Verdict: Satisfying. The film delivers spectacle, character development, and a climactic dragon battle, with Bilbo’s growing role and Smaug’s fall ensuring a rewarding experience.
Book Readers
Satisfying Elements:
Core Events: The Mirkwood journey, spider fight, barrel escape, and Smaug’s dialogue (Scenes 5, 7, 13, 15) closely follow Tolkien’s novel, capturing its adventure and tension.
Bilbo’s Agency: His leadership in freeing the dwarves (Scenes 5, 7) and confronting Smaug (Scene 13) align with the book’s focus on his growing courage.
Lore Additions: Thráin’s fate, Dol Guldur, and Sauron’s reveal (Scenes 11, 13-14) draw from Tolkien’s appendices, adding depth for lore enthusiasts.
Potential Concerns:
Additions like Legolas, Tauriel, and Lake-town’s extended intrigue (Scenes 6, 8-9) diverge significantly from the novel, which focuses solely on the company. Purists might find these embellishments excessive.
Smaug’s death occurring in Film 2 (Scene 17) rather than Film 3 contrasts with the book’s pacing, though it works cinematically.
Verdict: Mostly Satisfying. The film stays true to Bilbo’s arc and key moments, but expanded subplots and characters may polarize purists. Lore-friendly additions and Smaug’s fidelity mitigate most concerns.
Film 3: The Hobbit: The Battle of the Five Armies
General Audiences
Satisfying Elements:
Epic Climax: The Battle of the Five Armies (Scene 16) is a thrilling spectacle, with Bard, Thranduil, Dáin, Beorn, and the eagles creating a dynamic alliance against Bolg’s forces.
Emotional Payoff: Thorin’s redemption and death (Scene 16), Bilbo’s Arkenstone sacrifice (Scene 15), and the funeral (Scene 17) deliver catharsis, balancing action with heart.
Resolution: Bilbo’s return to the Shire and the ring’s lingering pull (Scenes 18-19) provide closure while hinting at future adventures, appealing to viewers familiar with The Lord of the Rings.
Visuals: The bird montage (Scene 1), Dol Guldur’s battle (Scene 8), and Erebor’s grandeur (Scenes 2, 17) offer cinematic splendor.
Potential Concerns:
The large cast (elves, men, dwarves, orcs) in Scene 16 could overwhelm viewers if not clearly distinguished, though focal characters (Bilbo, Thorin, Bard) anchor the chaos.
Dol Guldur’s mythic battle (Scene 8) might feel disconnected for casual viewers, but Gandalf’s urgency ties it to Erebor.
Verdict: Satisfying. The film delivers a rousing battle, emotional closure, and a bridge to The Lord of the Rings, making it a fulfilling conclusion for general audiences.
Book Readers
Satisfying Elements:
Fidelity to Themes: Thorin’s greed, Bilbo’s sacrifice, and the battle’s chaos (Scenes 12-16) capture Tolkien’s themes of hubris and heroism, with Bilbo’s acorn (Scene 9) echoing the book’s love for home.
Key Moments: The Arkenstone negotiation, Thorin’s death, and Bilbo’s return (Scenes 15-18) closely follow the novel, with Thorin’s reconciliation retaining its emotional weight.
Lore Ties: Dol Guldur’s resolution (Scene 8) and Sauron’s flight to Mordor align with Tolkien’s appendices, satisfying lore fans.
Potential Concerns:
The expanded battle (Scene 16) and additions like Tauriel, Legolas, and Beorn’s prominence deviate from the book’s briefer, Bilbo-centric climax. Purists may dislike Bilbo’s active role (e.g., warning Thorin) over his book unconsciousness.
The bird montage (Scene 1) and Dol Guldur’s scale (Scene 8) feel cinematic rather than Tolkienian, though they fit the broader legendarium.
Verdict: Mostly Satisfying. The film honors Tolkien’s emotional core and key events, but its expanded scope and action-heavy climax may irk purists. The ring’s epilogue and Bilbo’s arc ensure strong resonance.
Trilogy as a Whole
General Audiences
Satisfying Elements:
Cohesive Arc: Bilbo’s journey from reluctant hobbit to selfless hero (Film 1, Scene 3; Film 2, Scene 7; Film 3, Scene 15) is clear and relatable, with Thorin’s tragedy and Bard’s rise providing supporting arcs.
Escalating Stakes: The quest’s progression—trolls to Smaug to the five armies—builds excitement, with each film’s climax (eagles, Smaug’s death, the battle) feeling bigger yet connected.
Emotional Payoff: Thorin’s redemption (Film 3, Scene 16), Bilbo’s ring burden (Film 3, Scene 19), and recurring motifs (acorn, thrush) create a satisfying narrative loop.
Cinematic Appeal: Stunning visuals (Rivendell, Erebor, Dol Guldur) and varied action (barrels, dragon, battle) keep the trilogy engaging.
Potential Concerns:
Subplots like Dol Guldur and the White Council may confuse viewers without Lord of the Rings knowledge, though Gandalf’s role ties them to the main story.
The dwarf ensemble risks blending together, but Thorin, Bilbo, and Bard’s focus ensures clarity.
Verdict: Highly Satisfying. The trilogy offers a complete adventure with strong characters, escalating action, and emotional closure, appealing to casual viewers seeking a fun, epic fantasy.
Book Readers
Satisfying Elements:
Bilbo’s Arc: His growth mirrors Tolkien’s novel, with key moments (riddles, barrels, Arkenstone) faithfully adapted and his ring burden tying to the broader legendarium.
Thematic Fidelity: Greed (Thorin, Smaug), courage (Bilbo, Bard), and home (the acorn, Shire epilogue) align with Tolkien’s themes, grounding the trilogy in his vision.
Lore Integration: Additions like Dol Guldur, Thráin, and the White Council draw from Tolkien’s appendices, enriching the story for lore fans.
Potential Concerns:
Expanded subplots (Dol Guldur, Lake-town politics) and characters (Tauriel, Legolas) inflate the story beyond Tolkien’s lean novel, potentially frustrating purists who prefer its simplicity.
Deviations like Bilbo’s active battle role (Film 3, Scene 16) and Smaug’s death in Film 2 may feel jarring, though they enhance cinematic drama.
Verdict: Satisfying with Caveats. The trilogy captures Tolkien’s heart and integrates lore well, but its cinematic expansions may divide purists. Most will appreciate Bilbo’s arc and the thematic resonance.
Suggestions for Maximizing Satisfaction
For General Audiences:
Clarify Subplots: In Film 1, Scene 8, and Film 2, Scene 11, add a brief line from Gandalf explaining Dol Guldur’s relevance (e.g., “A shadow threatens all Middle-earth”) to ground casual viewers.
Dwarf Distinction: Give one or two dwarves (e.g., Fili, Bombur) small, memorable moments in each film (e.g., a quip in Film 2’s barrel escape) to make the ensemble less overwhelming.
Battle Clarity: In Film 3, Scene 16, a quick map-like shot of Dale and Ravenhill could orient viewers during the chaotic battle.
For Book Readers:
Tone Down Additions: In Film 2, Scenes 6-7, reduce Tauriel and Legolas’s prominence (e.g., focus on Thranduil’s elves generically) to align closer to the book’s dwarf-centric focus.
Bilbo’s Role: In Film 3, Scene 16, have Bilbo briefly knocked out during the battle (echoing the book) before he warns Thorin, balancing fidelity with agency.
Thrush Motif: Reinforce the thrush across all films (e.g., Film 3, Scene 17, at Thorin’s funeral) to tie to Tolkien’s symbolism and appease purists.
Trilogy Cohesion:
Recurring Motifs: Strengthen the acorn (e.g., Bilbo planting it in Film 3, Scene 18) and thrush (e.g., in Film 2, Scene 10, over Dale) to unify the trilogy’s themes of hope and home.
Ring’s Arc: In each film, add subtle ring effects (e.g., a whisper in Film 1, Scene 11; unease in Film 2, Scene 5) to build its menace for Film 3, Scene 19, appealing to both audiences.
Final Verdict
General Audiences: The trilogy is highly satisfying, offering a complete, emotionally resonant adventure with stunning visuals and clear character arcs. Minor tweaks to clarify subplots and distinguish dwarves would ensure broad appeal.
Book Readers: The trilogy is satisfying for most, capturing Tolkien’s themes and Bilbo’s journey while integrating lore-friendly additions. Purists may dislike the expanded scope (Dol Guldur, Tauriel), but the fidelity to key moments and emotional weight should win over many.
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