|
|
|
|
|
|
|
|
|
|
|
|
|
Shelob'sAppetite
Valinor
Apr 26 2012, 2:27am
Views: 60458
Shortcut
|
A number of people with much better heads than mine for this sort of thing have convinced me that the "hyper-real" quality of the Hobbit footage, which exposes the flaws of sets and costumes and makeup, has far more to do with 4K resolution than 48fps. There seems to be a bit of a consensus about this from people who know what they are talking about. If this is the case, is it likely that PJ will be color-correcting these shots to such a degree that they will lose that fake look? Or is he looking to give us a much sharper image, with all the exposed flaws in production design that come with that? If the latter, does this mean that no matter if we see it in 48fps or 24fps, we will have that same image quality? For me, the 4K resolution is exciting when it comes to landscape shots (the ones in TH trailer were absolutely amazing). But it is very, very worrisome when it comes to sets and close-ups - really most of the movie. My guess is that PJ and company will do everything they can to reduce that "TV" look that comes with 4K, particularly after yesterday's reaction. But maybe I'm just hoping as a fool does... What say you?
(This post was edited by Shelob'sAppetite on Apr 26 2012, 2:29am)
|
|
|
Subject
|
User
|
Time
|
4K Resolution
|
Shelob'sAppetite
|
Apr 26 2012, 2:27am
|
My thoughts
|
duats
|
Apr 26 2012, 2:32am
|
Makes sense
|
Shelob'sAppetite
|
Apr 26 2012, 2:35am
|
Great questions!
|
Owain
|
Apr 26 2012, 2:54am
|
So maybe you can answer a question I have....
|
Silverlode
|
Apr 26 2012, 3:15am
|
More great questions.
|
Owain
|
Apr 26 2012, 3:29am
|
I saw the 3D trailer before Tintin also.
|
Silverlode
|
Apr 26 2012, 3:39am
|
A very significant difference.
|
Owain
|
Apr 26 2012, 3:43am
|
Owain
|
Buchanicus
|
Apr 26 2012, 4:04am
|
Hey thanks Buchanicus...
|
Owain
|
Apr 26 2012, 4:27am
|
Just seconding everyone's thoughts. Your posts are more insightful...
|
Compa_Mighty
|
Apr 26 2012, 6:06am
|
This brighter business
|
Shelob'sAppetite
|
Apr 26 2012, 4:42am
|
Oversampling is the key
|
Owain
|
Apr 26 2012, 4:58am
|
The beauty of the REDCODE RAW...
|
Owain
|
Apr 26 2012, 5:02am
|
RED
|
Night Wolf
|
Apr 26 2012, 6:19am
|
In an ideal world...
|
Owain
|
Apr 26 2012, 4:26am
|
RED Compensation
|
JWPlatt
|
Apr 26 2012, 3:24am
|
It's not really a limitation of the camera... it's more about workflow.
|
Owain
|
Apr 26 2012, 3:34am
|
Specific Look
|
JWPlatt
|
Apr 26 2012, 9:06pm
|
It's just like with any other raw image
|
Finrod
|
Apr 26 2012, 9:18pm
|
Pop
|
JWPlatt
|
Apr 26 2012, 9:32pm
|
flat does not mean without color
|
Chopsta123
|
Apr 26 2012, 10:24pm
|
sorry
|
Chopsta123
|
Apr 27 2012, 7:02am
|
Agreed.
|
Owain
|
Apr 27 2012, 1:59pm
|
:)
|
Chopsta123
|
Apr 27 2012, 5:24pm
|
Qwain
|
Steven Van der Berg
|
Apr 26 2012, 11:33am
|
Here is a link from Douglas Trumbull... a legend in the industry...
|
Owain
|
Apr 26 2012, 2:44pm
|
Yes...
|
Owain
|
Apr 26 2012, 2:45pm
|
Very interesting and informative, for someone who "knows nothing"...
|
jschomburg
|
Apr 26 2012, 1:06pm
|
THIS is marvelous!
|
DarkJackal
|
Apr 26 2012, 2:21pm
|
color correction is everything these days
|
There&ThereAgain
|
Apr 27 2012, 1:32am
|
|
|
|