Brethil
Half-elven
May 15 2013, 9:03pm
Views: 1583
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Another interesting set of questions Darkstone.
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Hmmm, we this rope-scene is a bit more desperate, and more of an expression of the raw power of Aragorn and Legolas in fighting for their lives. Frodo and Sam are more tentative, and of course they are alone, no one is puling them up or along: they are finding their own way, in their quiet Hobbit fashion. An interesting corollary to how they all respectively fight the War of the Ring. Well if the Uruk's pick them off we are missing some key cast... but I would say from a realistic perspective only Lurtz seemed singular in being a particularly skilled, targeted bowman. The rest of the Uruks seem to just fling arrows more at will, hoping to hit something. There is much less skill and specialization in all of the Dark minions: individuals I think just aren't worth that much, its the force of the mass that counts. A broad stairway, climbed from the Deep up to the Rock and the rear-gate of the Hornburg. Near the bottom stood Aragorn. In his hand still Anduril gleamed, and the terror of the sword for a while held back the enemy, as one by one all who could gain the stair passed up towards the gate. Behind on the upper steps knelt Legolas. His bow was bent, but one gleaned arrow was all that he had left, and he peered out now, ready to shoot the first Orc that should dare to approach the stair. 'All who can have now got safe within, Aragorn,' he called. 'Come back!' Aragorn turned and sped up the stair; but as he ran he stumbled in his weariness. At once his enemies leapt forward. Up came the Orcs, yelling, with their long arms stretched out to seize him. The foremost fell with Legolas' last arrow in his throat. but the rest sprang over him. Then a great boulder, cast from the outer wall above, crashed down upon the stair, and hurled them back into the Deep. Aragorn gained the door, and swiftly it clanged to behind him." Legolas has an active role in both the film and the text version of their retreat; but in Text, with only one arrow left, so much depends on luck and circumstance. In Film, the premise of the rope-escape leans much more heavily and visually on Legolas as Gimli and Aragorn's last hope (last rope?) for safety. Some of the physical action of the scene therefore has shifted from Aragorn onto Legolas. I think the change is a typical one we can see at times when adapting the subtlety of text to the visual metaphor of film: Legolas can be read as a guardian angel in text, but on Film a stumbling, tired Aragorn and a Legolas with no arrows may cause the scene's momentum to stumble as well. Yes, the parallel climbing is neat, and also mirrors the parallel of the Uruk Hai and Aragorn, Legolas and Gimli all racing side by side (for different reasons) to the sound of Boromir's horn. War makes for odd bedfellows. * Many thanks Darkstone! *
Manwe, when asked a simple "Yes" or "No" question, contemplated, and responded "the middle one."
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